Tag Archives: industrial

Rivets and Rust

Rivets and Rust
Detail of weathered and distressed steel structure on the Steel Bridge, Portland, Oregon.

Rivets and Rust. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of weathered and distressed steel structure on the Steel Bridge, Portland, Oregon.

I made this photograph at about the same time as another one that I posted recently — it also featured a close-up view of the weathered structure of an old steel bridge with rivets, colorful stains, and lots of weathering.

Whether the specific location is all that important is debatable, but I made the photograph on the “Steel Bridge” (that’s actually its name), over the Willamette River in Portland, Oregon. This is an old and quite busy structure, and it is full of fascinating little vignettes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Detail, Steel Bridge

Detail, Steel Bridge
“Detail, Steel Bridge ” — Structural detail of the Steel Bridge, Portland, Oregon

This might be the most unimaginatively named steel bridge in the United States — as far as I can tell it is actually called “Steel Bridge.” Which it is. The bridge crosses the Willamette River in Portland, Oregon, where its double-deck structure (with a center section that can be raised) carries trains, cars, pedestrians, bicycles, and rapid transit across the water. When we visited we joined the pedestrians, which gave me a chance to look at the structure close up.

Old distressed and weathered structures like this intrigue me, and I know I’m not the only photographer who has this interest. Sometimes I imagine the contrast between some engineer crafting very careful and precise design drawings of the structure and its smaller elements, producing materials that reflect the conceptual perfection of such structures… and the real-world reality the creeps in over the long life of such structures. The latter is visible here in the multiple layers of paint, now marked by stain patterns and split open to reveal rust.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Double-Five

Double-Five
“Double-Five” — Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Industrial Buildings, Night

Industrial Buildings, Night
Industrial buildings illuminated by secutiry lighting, Mare Island Naval Ship Yard.

Industrial Buildings, Night. © Copyright 2012 G Dan Mitchell – all rights reserved.

Industrial buildings illuminated by secutiry lighting, Mare Island Naval Ship Yard.

This photograph comes from a very old San Francisco Bay shipyard — its history goes way back into the 1800s when it was the first naval ship yard on the west coast of the United States. It continued to be used for its original purpose into the late 20th century, when it was decommissioned not long before the new millennium. Much of it was initially abandoned, though more recently the surrounding area has been revitalized with new construction, new tenants in old buildings, and even some ship yard projects.

I have photographed here for close to two decades — in fact this was the place where I did my first serious night photography. These old facilities (there are many all over the US) are fascinating time capsules, full of construction that is decades old and suggestive of a very different time. At night they provide a fascination combination of quiet, stillness, and mystery.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.