Tag Archives: interior

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Exit, Yellow Doors, Blue Windows

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Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

A Bar

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A Bar
The view through the open door of a San Francisco corner bar

A Bar. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The view through the open door of a San Francisco corner bar

I felt like a bit of a voyeur making this and a few other San Francisco night photographs — but that is part of street photography, isn’t it? After starting in a very different area at sunset — a less touristy area of Chinatown — then working my way slowly down past the gaudy lights and bright shops of Grant Street — I ended up in the popular area of shops and restaurants and hotels near Union Square.

This place is, quite literally, a “corner bar.” It was quiet inside, and I imagined that at least some of the folks at tables or sitting on stools having a drink might be regulars. A few sat alone and a few were in groups of two or more. The most interesting man (in the world) appeared on the television screen. The door was open and I considered that enough of an invitation to make a few photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Video Surveillance

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Video Surveillance
Warning sign on a doorway to an interior space, Chinatown, San Francisco

Video Surveillance. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Warning sign on a doorway to an interior space, Chinatown, San Francisco

When doing street photography I tend to “switch modes” as I photograph — one moment I might focus on people as individuals or in groups, and then my attention may shift to the “urban landscape,” the shapes and angles of the buildings and roads and sidewalks and more. At night there is always one more element, the unusual effects of artificial light on the scene. The light can be wildly diverse: Greenish from fluorescent lamps, yellow from sodium vapor, warm and saturated from tungsten, almost like daylight though perhaps cooler from LEDs, and occasionally the colors of dusk or the moon.

LED lighting, while wonderfully efficient, is not so wonderful for night photography. Since it mirrors the color balance of daylight so closely it takes away all of those color shadings. Some times it almost makes a night photograph look like day! I made this photograph shortly after I met up with a group of other photographers to walk through this section of San Francisco. At first I was focused in small things — windows, doorways, colorful business signs. As we descended one side street we passed this somewhat nondescript building, but in the nighttime light the interior glowed with an oddly colored light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects

Museum Atrium

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Museum Atrium
Museum Atrium

Museum Atrium. New York City. August 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light patterns on the atrium wall at the New York Museum of Modern Art

I think I end up visiting the Museum of Modern Art (MOMA) every time I visit New York City. It may be partly out of habit, but it is also because there are always things there to see. MOMA always features photography — though the work on display this time was not quite my cup of tea. There are special exhibits, and we were especially surprised and please by the Lygia Clark show. It is always hard to resist — we inevitably fail — visiting the regular collection of famous work in the main galleries.

For me, the space itself is an interesting photographic subject. To some extent it is a good place to photograph people, and I did a bit of that in one particular gallery displaying work that did not particularly impress me — though I noticed one particular museum attendant keeping a very close eye on me. She never said a word, but it seemed like she was always watching me, to the extent that she shows up in perhaps half of the photos I made in that exhibit! The building itself is fascinating, in terms of its own architectural details, how people inhabit the space, and how light plays on its shapes and surfaces. This photograph features the central atrium, which I have photographed in the past, crisscrossed by light patterns stretching down from the roof.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.