Tag Archives: intimate

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Leaf and Sand

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Leaf and Sand
An autumn leaf in the sand of a California north coast beach

Leaf and Sand. Northern California Coast. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn leaf in the sand of a California north coast beach

In many ways the spectacular and rugged Pacific ocean coastline of Northern California is a landscape of huge scale, from the ocean itself to the long views of rocky cliffs, shoreline bluffs, coastal mountain ranges, sea stacks, clouds and fog. I love this country and many of my photographs of this landscape focus on these very things.

But sometimes I do look down at my feet as well. On this afternoon we had stopped at a beach where the road dropped down to nearly the water level and the wintry ocean was wild with the energy of a passing storm, producing surf and swells so large that it seemed that we looked up at them. I wandered out toward the waterline and began to photograph the surf and some sea stacks that stood in the path of the waves. As I turned to walk down the beach I happened to look down and see this autumn leaf, stuck in the sand near the high water mark, with the faintly visible paths of water that had detoured around the leaf on its way back into the ocean.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Dense Aspen Grove

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Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Shoreline Aspen Color

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Shoreline Aspen Color
A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

Shoreline Aspen Color. Eastern Sierra Nevada. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

While understatement can often be a good thing, sometimes when making photographs of Sierra Nevada autumn aspen trees one simply has to go with the colors. This was one of those times. I was fortunate to arrive at this spot on close to the ideal color day for this section of the lake. Not only were nearly all the trees showing their fall color, but quite a few trees showed the less common shades of red and orange, along with the more typical golden-yellow. These are not big trees, but what they lack in stature they make up for in color.

This photograph is also an example of one good kind of light for photographing this subject. I began photographing a bit earlier in  the soft, shaded light. This sort of light can be very “friendly” to intensely colorful subjects and to subjects that include lots of shadows. But it can also be quite blue — except here I photographed just before the sun reached this spot, and much of the ambient light was acquiring a warmer quality. The soft light doesn’t push the intensity of the colors so far that they may blow out — it tends to make the colors more vibrant, but gives a bit more control.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Before the Sun

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Dunes, Before the Sun
Sand dune shapes in soft light, Death Valley National Park

Dunes, Before the Sun. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Sand dune shapes in soft light, Death Valley National Park

There are still a few more photographs to share from this year’s spring visit to Death Valley National Park back at the end of March. To answer the inevitable question, we arrived after the peak of the “super bloom” — but there were still flowers and there are always plenty of other things to see. We visited some familiar sites and sights, and we also investigated some areas that were new to us. (It is a big park — even though I’ve been going regularly for over 15 years there is still plenty of new thing stuff to see.)

On the last morning of our trip, after days featuring wind and dust storms and even rain, it appeared to be calm. I got up well before dawn — what else is new? — and headed to a nearby area of dunes. Rather than going to the “usual spot,” I drove on to a location that I had been thinking of for a while, parked, loaded up my pack full of camera gear, grabbed my tripod, and headed out the pre-dawn light across a playa, heading toward some low dunes. Twenty or thirty minutes later I arrived, still before sunrise, and I had some time to photograph in the beautiful soft pre-dawn light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.