Tag Archives: inyo

Ridge And Lake, Twilight

Ridge And Lake, Twilight
The last twilight alpenglow on peaks above a John Muir Wilderness lake

Ridge And Lake, Twilight. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last twilight alpenglow on peaks above a John Muir Wilderness lake.

A group of us spent last week base-camped at 11,000′ in the Eastern Sierra Nevada, in an open landscape of lakes, meadows, granite slabs, and high ridges. Our most pressing concerns were making photographs, reveling in our surroundings, and enjoying one another’s company. We do this every year — some have been doing it for nearly two decades, I’ve been part of it for about ten years, and we added one new participant this time. In some following posts I’ll have more to say about the goals and experience of such a thing.

Because of our location, each evening the final light would fall on a long ridge above a high, glaciated valley to our southeast. Although the sun had already set, this high spot was open to light coming from the other side of the Sierra crest, far to the west and perhaps even along the distant Pacific coast. Set against the twilight sky and shadowed nearer landscape of rock, water, and trees, this last bit of light was dramatic, and it never failed to capture our attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Across Owens Valley

Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove Below South Lake

Aspen Grove Below South Lake
A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

Aspen Grove Below South Lake. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

I have been returning to this little group of trees for several years now. There are many like it throughout the eastern Sierra, but somehow this group has come to seem like “mine” and I shoot it every fall. There is nothing obviously special about it – it is not some sort of landmark location, and you would easily pass right by it if you happened to be there and look in a different direction. It is up a somewhat obscure little dirt road that goes no where in particular.

At the right moment in the fall season the grove turns completely golden-yellow with the exception of some years when it seems to hold a bit of orange or red, if I recall correctly. I like to arrive in the early evening just as the sun is about to dip behind a nearby ridge and bring soft, shadowed light to this spot. This year I had thought that I might be too early, since I would more typically shoot there perhaps a full week into the month of October, but this has been an early season for aspen color in the Sierra and in a number of other areas of the west as well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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