Tag Archives: inyo

Photographs: Nature, Photographs: Sierra Nevada

Clouds, Evening Sky

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Clouds, Evening Sky
Sunset clouds above the Sierra Nevada crest, John Muir Wilderness

Clouds, Evening Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunset clouds above the Sierra Nevada crest, John Muir Wilderness.

Sierra skies will please or distress you, depending upon your relationship to them and to light. Many visitors absolutely love the days-long stretches of perfect blue skies that occur here, frequently uninterrupted by any clouds at all. (These conditions are among those that give rise to the “Range of Light” designation for these mountains.) On the other hand, photographs often find these “perfect” conditions to be boring, and you might be surprised to hear us complain about too much blue sky!

Our late-August arrival at this location was accompanied by rain during the afternoon on the day we hiked in — no downpours, but enough to gently soak everything and persuade us to put on parkas and set up tents. On the second day we had a few more clouds… but that was pretty much it. The rest of our stay (with the exception of our walk back out, when it did rain again) featured — you guessed it — one of those “days-long stretches of perfect blue skies.” So, after days of such aggravatingly perfect weather, we were absolutely thrilled when these lovely sunset clouds drifted over our valley in the evening on our last full day, glowing with gentle color against the deepening blue of the evening sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Ridge And Lake, Twilight

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Ridge And Lake, Twilight
The last twilight alpenglow on peaks above a John Muir Wilderness lake

Ridge And Lake, Twilight. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last twilight alpenglow on peaks above a John Muir Wilderness lake.

A group of us spent last week base-camped at 11,000′ in the Eastern Sierra Nevada, in an open landscape of lakes, meadows, granite slabs, and high ridges. Our most pressing concerns were making photographs, reveling in our surroundings, and enjoying one another’s company. We do this every year — some have been doing it for nearly two decades, I’ve been part of it for about ten years, and we added one new participant this time. In some following posts I’ll have more to say about the goals and experience of such a thing.

Because of our location, each evening the final light would fall on a long ridge above a high, glaciated valley to our southeast. Although the sun had already set, this high spot was open to light coming from the other side of the Sierra crest, far to the west and perhaps even along the distant Pacific coast. Set against the twilight sky and shadowed nearer landscape of rock, water, and trees, this last bit of light was dramatic, and it never failed to capture our attention.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Across Owens Valley

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Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fisherman, Ellery Lake, Sierra Crest

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Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.