Evening light through diffused clouds illuminates the stratified and eroded formations of Cedar Breaks, Utah
Since I’ve posted on this scene previously – along with a landscape mode presentation of a similar scene – I’ll keep this one short. This photograph was made in the slightly post-sunset light on an evening when the light was softened by clouds. A smattering of trees grows in the few areas among the cliffs and hoodoos where there is apparently enough of the right kind of soil – most of this terrain is devoid of large plants.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A Utah juniper growing on red rock with the La Sal Mountains in the distance, Grand View overlook, Canyonlands National Park.
We had a great visit to Canyonlands National Park, though the lighting was challenging, to say the least. Our visit took us up to the “island in the sky” highlands and included a stop at the Dead Horse Point State Park. Initially, the light challenges were simply from the midday light and the fact that there was a certain amount of haze in the air. The haze can be a nice effect in some cases, but it can also obscure some of the longer views such as those from this high plateau. As the day wore on, clouds began to collect to the west and, as luck would have it, the thickest portion of the clouds were almost directly west of us. Ultimately, this interfered with my chances for dusk shooting, but sometimes that’s just the way it goes.
Before heading to the golden hour light location that I had selected, we drove down to the “Grand View” overlook – appropriately named, as anyone who has been there can confirm. Here the high plateau ends suddenly with a steep thousand foot drop off to the next lower level of strata and the Green River joins the Colorado in the vast and rugged terrain to the south. I did eventually make some photographs of that subject – it is sort of obligatory! However, as I walked to the overlook I saw to my left this chunk of cliff-edge sandstone with its resident juniper and remembered looking at it the last time I was there. The soft light produced by the overcast was a Good Thing here, as full sun would have produced a very harsh effect on the rocks. Beyond lies the giant valley of the Colorado River and even further out are the high and distant peaks of the La Sal mountains.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A winding sandstone canyon willed with trees, Zion National Park, Utah.
This photograph was definitely not shot in “golden hour” light! Although it was afternoon, the sun was still high in the sky, and that sky was a somewhat unattractive washed out light blue color. In order to not allow that quality to take over the image, I composed this scene to completely exclude sky and also to minimize the inclusion of more distant features that would show the effect of the haze. I did include a bit of it at the upper right, since that serves to give the image some amount of depth.
The area is in the “high country” of Zion National Park along the Mt. Carmel highway. This road passes to the east across and then out of the park, climbing (through an exciting but, in some ways, unfortunate tunnel in the sandstone) out of the Virgin River area of the main Zion Canyon to pass through the dome-filled, river cut highlands. I shot toward the sun here, to be able to include the beautiful shaded cliff walls, and I tried to find a composition that would show the twisting course of the creek that winds down this canyon.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A backlit granite ridge above the Tuolumne River is topped by trees.
I think that this is probably going to be the final riff on the subject of this particular ridge, the subject of several photographs I have posted in recent weeks. As I probably wrote at least once before… I climbed up from our camp onto the top of a small dome-like granite whaleback that gave me an open view in almost all directions and a high point from which to look over a good section of the Tuolumne River as it passes through a section of the Yosemite back-country. I arrived at this spot in the very late afternoon and then stayed there for perhaps two hours as the light gradually shifted from that of afternoon to sunset and then twilight.
This photograph was made before the golden hour, though I think that a bit of added warmth is already beginning to appear in the color of the light. The sun was coming from above the distant ridge seen faintly through the haze above the valley of the Tuolumne, and it was periodically blocked by some high clouds. While the clouds can “blah-ify” the light pretty effectively, when they are not completely covering the sky they can cast interesting and temporary light across the landscape as they move past. For a moment the light came brightly through the clouds and back-lit these beautiful trees that were growing on the granite surface of this dome.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
