Tag Archives: kancamagus

River Bank Forest, Autumn

River Bank Forest, Autumn
Autumn trees along the banks of the Swift River, New Hampshire

River Bank Forest, Autumn. © Copyright 2022 G Dan Mitchell.

Autumn trees along the banks of the Swift River, New Hampshire

Perhaps you thought that I had shared all of my photographs from our early-October trip to photograph New England color. You might be wrong. I took a break from sharing those so that I could post some of the photographs from this year’s crop of Sierra autumn color images. And, I am not quite done with material either, so expect to see me alternate between coasts for a bit longer. Somewhere in all of this, there will also be some urban photographs from a brief visit to Manhattan.

I previously noted that it is often difficult to get longer views in the area of New Hampshire where we photographed. The forest is thick, grows right to the edge of roadways, and there are not many places to pull over. There are some openings, and when I found them I tried to take advantage. They came on a few routes that climbed to higher elevations, some areas with lakes and fields, and occasionally along rivers. This photograph is one of the latter, made while wandering along the banks of the Swift River, where I could photograph across and along the open areas above its course.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Peak New England Color

Peak New England Color
A White Moutains forest of almost-exclusively hardwood trees at the peak of fall color.

Peak New England Color. © Copyright 2022 G Dan Mitchell.

A White Moutains forest of almost-exclusively hardwood trees at the peak of fall color.

This photograph, if nothing else, illustrates some aspects of how New England fall color is different from what I usually photograph in California, particularly in the Sierra Nevada. Out here the colors tend to be relatively uniform, usually yellow to brown, broken by occasional examples of other colors. For example, the great majority of our aspens turn yellow/gold, which is why the occasional red and orange exceptions attract so much attention. And the Sierra trees are far less likely to appear in huge, mountain-covering stands — they more typically line the bottom of a valley, run upslope along a gully or other feature, and are surrounded by green conifers.

So what differences can we see here? First, the hardwoods vastly outnumber the sparse conifer trees. (I like the contrast the latter provide, however.) The hardwood forest stretches for great distances — that area of the photograph is quite large but it is only a small portion of the fall-colored trees I could see here. The tree color is also much more diverse, here including every shade from green through orange and red.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Stream

Autumn Stream
A stream flows past fall colors in the White Mountains of New Hampshire.

Autumn Stream. © Copyright 2022 G Dan Mitchell.

A stream flows past fall colors in the White Mountains of New Hampshire.

This month’s visit to New Hampshire and Vermont to photograph autumn color reminded me of some things about photography in unfamiliar places. I usually photograph where I have long-developed place knowledge or at least experience with very similar subjects. That wasn’t the case in New England. We started out by visiting “icons” — which isn’t a bad strategy at the very beginning. They are “icons for a reason,” and they let me start to figure out the personality of a new place. But on several occasions I was also reminded of the value to pushing beyond those boundaries — just poking around, keeping my eyes open to possibilities, looking in the opposite direction from the obvious thing, and sometimes just wandering a little bit.

The “wandering” took various forms on this trip. Sometimes it involved driving long distances or turning off the highway to head up a side road. In the case of this photograph, we had pulled out at a “picnic area” for a moment, and I wondered what was beyond the trees surrounding the parking lot. I could tell there was color in that direction and it seemed like there might be a creek. So off we went to find this lovely little stream flowing through the forest, and we ended up photographing there for a half hour or more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Trees, New Hampshire

Autumn Trees, New Hampshire
A dense wall of trees with autumn leaves, New Hampshire.

Autumn Trees, New Hampshire. © Copyright 2022 G Dan Mitchell.

A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.