Tag Archives: lake

Subalpine Lake, Forest, and Ridges

Subalpine Lake, Forest, and Ridges
Subalpine Lake, Forest, and Ridges

Subalpine Lake, Forest, and Ridges. Yosemite National Park, California. September 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on a forested subalpine lake backed by alpine peaks and ridges, Yosemite National Park

When photographing or even when just looking at the world as a photographer, there are certain things that consistently get my attention — and several of them appear in this straightforward Sierra scene. I’m a sucker for layers, and there we have quite a few: the foreground forest trees, the lake with its reflecting water, the forest rising up the slopes on the opposite shore toward a granite dome, and across a deep canyon that is not directly visible there are high, alpine peaks whose features are muted in the atmospheric haze. And, yes, that haze is another thing that I often look for when making photographs.

Like many photographers, I also have an eye for juxtapositions and relationships between shapes and angles and curves and lines.  If I recall correctly, the first thing that drew my attention about this scene was not the obvious lake but was instead the relationship between the granite knob just beyond the lake and the shapes of the high ridge in the distance. In fact, I made a series of photographs of those two things at different times of day and from somewhat different locations. All of that aside, the photograph also portrays a more natural sort of light than the warm and saturated light that we often photograph closer to sunrise and sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry
Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A harbinger of Sierra Nevada autumn, red bilberry plants carpet the shoreline of a sub-alpine lake

This photograph evokes, for me, that special feeling of the end of summer in the high country, when the awareness of the changing seasons is heightened and there is an odd combination of relaxation as the pace of mountain life slows and a feeling that the time of year when access to such places is easy is rapidly coming to an end — and that in a matter of weeks places like this one will be snow-covered and largely inaccessible for another year. It is also a time, perhaps for these very reasons, when the recognition of the natural cycles of seasons and lives becomes more acute.

The red carpet on the close ground along the shoreline consists of small bilberry plants. This small plant is normally easy to overlook. It stands perhaps an inch tall, often in clusters in clear areas along lakes and among trees. During the summer it is, frankly, just another little green thing among many. But in September it transforms into something that you cannot help noticing, especially if you look across a patch into the sun — backlit bilberry suddenly becomes flaming red. Beyond the near shore, trees scattered along a rocky peninsula and small islands catch the last warm and soft light of an “almost-autumn” evening.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Late Season Shoreline

Late Season Shoreline
“Late Season Shoreline” — Brilliant late-season red bilberry carpets shoreline meadows around a Sierra Nevada lake, Yosemite National Park

As I have written elsewhere on more than one occasion, every August I begin to pay attention to hints that summer will end and that autumn is on its way. Early in the high country summer everything is in a state of rapid change — plants are in a hurry to take advantage of a short growing season and the availability of runoff water, and that water itself flows everywhere. After the explosion of early season growth and the production of flowers and cones things slow down, and at some point in August a feeling of quiet and stability begins to take hold.

The hints of change that I look for range from almost immaterial — a feeling about the sound of wind or the angle of light — to quite objective. In the latter category are changes that occur in the cycles of plant life. Corn lily plants change from green to yellow and gold and then to brown, and topple over. A few yellow leaves begin to appear on willows and even the aspens. But one of the strongest signs for me is the appearance of the red bilberry leaves in clear areas in the forest and near the edges of lakes. While the autumn bilberry leaves do not appear to be all that colorful in regular light, when backlit they turn the ground a gaudy range of colors from yellow and gold to bright red.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake
Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.