Tag Archives: landscape

Forest and Fog at the Pena Palace

Forest and Fog at the Pena Palace
“Forest and Fog at the Pena Palace” — Thick fog engulfs the forest surrounding the Pena Palace near Lisbon, Portugal.

The morning weather was not promising when we took the train from Lisbon, to visit the Pena Palace in the mountains above Sintra. By the time we arrived at the entrance to the palace grounds we we under cloudy skies and soon engulfed by low clouds and fog. I made this photograph as we walked through the forest near the palace.

At first I think we may have been a bit disappointed by this weather — and challenged to keep dry and warm! But as the day wore on my attitude changed. While a warm and sunny day might have felt pleasant, this challenging weather produced a lot more visual drama and mystery.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Aspens Leaves and Trunks

Autumn Aspens Leaves and Trunks
“Autumn Aspens Leaves and Trunks” — Yellow leaves and white bark on autumn aspen trees, Sierra Nevada.

I have noted before that many Sierra Nevada aspen trees do not quite correspond to our classic expectations — rather than tall, straight trees we often see shorter, broken and bent aspens. I think this may be a consequence of things like very rocky terrain, lower precipitation, and steep slopes. But the classic trees with straight trunks and tall canopies do exist.

My decision to photograph in this spot was, to some extent, a practical one. Late in the day very strong winds developed. (And they would continue on into the next two days, as well.) Unless you like motion blur — and it has its place — wind and aspen leaf photography don’t mix well. Not only are the leaves (and branches and trunks!) in constant motion, but the wind strips leaves from the trees So I headed to this relatively sheltered spot with bigger trees, found some compositions, and waited for breaks in the gale to make a few photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Leaves and Frost

Autumn Leaves and Frost
“Autumn Leaves and Frost” — Fallen autumn leaves, covered by frost, on a cold fall morning in the Sierra Nevada.

These fallen, frost-covered leaves were so interesting that I took a significant break from photographing trees to focus on them. They lay in a shaded strip along the edge of a gravel back-country road high in the Eastern Sierra. (I wonder what the other aspen hunters who drove past must have thought when they saw me ignoring the big trees and pointing my lens down at the ground!)

The photograph is a reminder to me — one that I frequently experience — that sometimes the thing you came to photograph is not the only subject worthy of attention. It is important to look away from that and see what else is around. Look away from the “big” and toward the small, turn around and see what is behind you.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

River of Aspen Color #2

River of Aspen Color  #2
“River of Aspen Color #2” — A band of colorful autumn aspen trees follows a gully down a Sierra Nevada slope.

If you follow the fall color transition in the Eastern Sierra Nevada you have almost certainly seen photographs of this grove. (Hint: there other groves like it that are less well known, and I’ll do my part to help it stay that way!) The trees descend from a high ridge along a gully, then spread out in a larger grove at the bottom at the edge of a subalpine lake. The form of the grove is fascinating, as is its color transition between the upper orange and red trees and the yellow trees below.

We often photograph this and similar groves using the vertical “portrait” orientation for obvious reasons. In this case I thought that going with the wider “landscape” format might emphasize the “spreading” effect at the lower end of this grove. You might also notice that I intentionally photographed in soft light before the morning sun arrived — this light is less likely to oversaturate the colors to the point of blowing them out, and it also spreads a bit more light onto shadow details.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.