Tag Archives: landscape

Trees and Evening Sky

Trees and Evening Sky - Trees silhouetted against cloud-filled evening sky, Yosemite National Park.
Trees silhouetted against cloud-filled evening sky, Yosemite National Park.

Trees and Evening Sky. Yosemite National Park, California. June 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Trees silhouetted against cloud-filled evening sky, Yosemite National Park.

The last time I posted a photograph of more or less this scene, the colors were so bright that you almost needed sunglasses! The photograph was made on an evening that ultimately turned into one of the most astonishingly colorful ones I have experienced in the Sierra – and I have experienced a few! Although that evening began with what most might regard as extraordinarily unpromising light – murky haze and overcast – I had an idea that these might be just the conditions in which the sun drops below the edge of the clouds far to the west just before sunset and then lights the clouds from beneath, a situation that can suddenly turn the sky into a psychedelic kaleidoscope of colors.

Eventually that is just what happened. But this photograph was made just before that show began, or perhaps during the very first stages of it when it was not at all certain what might develop. There were high, thin clouds in the sky to the west, and they began to glow a bit with evening backlight, so I lined up this little group of trees on the granite slabs and photographed them in silhouette against the sky. A few minutes later… it was not going to be time to be making black and white photographs!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rock Garden, Atmospheric Haze, Morning

Rock Garden, Atmospheric Haze, Morning - Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park
Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park

Rock Garden, Atmospheric Haze, Morning. Arches National Park, Utah. April 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park.

So far, each time I’ve thought I was hitting the end of the photographs from my early April weeklong trip to Utah, I come up with another one… and another… and another. I still have a few more waiting to be posted, but those are photographs that I had already worked up but held off posting for one reason or another. This one, however, may be the final one to actually emerge from the collection of exposures from the trip. (But I make no promises! There is one more that features some reflected light inside alcoves in sandstone that still may work.)

This photographed ended up in black and white for several reasons. I was sort of leaning that direction when I made the exposure, since the color components of the scene were both difficult to work with and a bit less than exciting. In addition, I like the way that black and white can sometimes abstract the shapes of things, perhaps taking them a few degrees further from their “real” nature. I had stopped alongside the road between the Windows Area and Wall Street as I begin my exit from Arches National Park on my last morning of shooting there. There was a lot of haze, especially when looking into the light, as this photograph does. The backlit haze is thick enough that the snow- and forest-covered La Salle Mountains, which actually fill the upper part of the frame, all almost impossible to see, and the foreground features gradually lose contrast as they progress away from the camera. However, because the light is in front of the camera and coming from just out of the right side of the frame, the edges of the rock towers gain a bit of extra definition against that hazy background.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Formations, Morning

Sandstone Formations, Morning - Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah
Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah

Sandstone Formations, Morning. Arches National Park, Utah. April 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah.

After the better part of a week photographing in Utah in early April, the day came to start the long drive back to California. But on the last morning I rose very early and made one last trip up from Moab into Arches National Park to photograph in the morning light. I started up on the ridge around the Windows area, looking for suitable sandstone formations to frame the setting full moon. (Still not sure whether or not the photographs of that subject are going to be share-able or not – we’ll see!) From there I headed back toward the Petrified Dunes area from which a panoramic view of many subjects is available – the towers and spires and arches up on the ridge near the Windows, the La Salle Mountains in the distance, and the huge sandstone formations down in the Wall Street area.

This photograph includes a more distant view of the latter area. Most often I think we view these features from close up, and look up at them from below. And when we are close to them we are more likely to consider one or perhaps a couple of them at once. However, from this elevated and more distant vantage point, the individual features and formations are seen more clearly as part of the larger landscape. From front to back there are first some isolated sandstone features standing alone and apart. Beyond them are the walls of the, well, Wall Street area, which are largely intact but have eroded away in some areas. Next there is a narrow canyon, in shadow in this photograph, and beyond that a wider and more solid wall running down from left to right. This one is thicker and there is a bit of a plateau on top where it appears that plants grow. Then there is yet another valley, another ridge, and the sequence continues on beyond the upper edge of the photograph.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point and Murphy Hogback, Evening

Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.