Tag Archives: last

The Last Light

The Last Light
A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

The Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

I could probably write a chapter on topics related to this photograph and the circumstances of making it. But I promise to keep this to a couple of paragraphs… at least for now. Earlier on this day I thought that I might make an evening visit to this high point in the Tuolumne Meadows area. As I ascended the conditions were far from promising — thunderstorms and light rain were falling to the east and the cloud shield extended far enough west to cut off the light. It was one of those occasions when I was ready to simply enjoy being in the place and perhaps not bother to photograph. There was one other photographer in this location and since there wasn’t much to photograph we spend some time in casual conversation, largely about the less than exciting light. There was a lighter area far to the west, but it appeared to be too far north of the setting sun to send much light our direction.

As we talked I mentioned a specific condition that can quickly (and often quite briefly) turn very boring light into something miraculous. If the cloud shield ends far to the west (or in the east at sunrise) there may be a narrow gap between the edge of the clouds and the horizon. If so, as the sun nears the horizon there can be a short burst of intensely colorful light. Any time I’m in a situation like the one on this evening, I look for signs of that horizon light… and if they are present I stay. That’s what I did on this evening, and I set up my camera with a lens selected for my guess at what the scene might do. With 5-10 minutes to go before sunset the sky was still murky and gray, and it appeared that my patience might not be rewarded. Then I noticed some pink in clouds far to the north. In a matter of second a soft reddish glow appeared at the summit of the large granite dome, and almost instantly the light came up on the peaks as a beam passed across the forest in the foreground. For the next 3-5 minutes the entire scene was a miracle of colorful light… until the sun dropped below the horizon and the red was gone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Waterfall and Trees, Spring Evening

Waterfall and Trees, Spring Evening
Evening light on Yosemite Falls and meadow trees

Waterfall and Trees, Spring Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on Yosemite Falls and meadow trees

I have had my eyes on this composition for some time. The photograph is, in many ways, a pretty straightforward thing, and it certainly doesn’t require any logistical difficulty or long hikes. However, there are a few variables in play that are not entirely under the photographer’s control, and timing is critical — as to the season, the time of day, and the momentary conditions. The green of that group of trees is briefly at its most intense for a period in the spring. As in so many photographs, the momentary effect of light is critical and ephemeral. Two days earlier I had photographed this same scene, with results I liked but not as much as what happened here.

Speaking of that earlier photograph of the same subject, I had not made a firm decision to re-photograph the scene on the evening when I made this version. I was thinking about several potential subjects on this final evening in the Valley for this trip, but it was the infamous Yosemite Valley traffic that put me here at the right moment. I had parked in a day use lot while I went on an afternoon hike, returning to my vehicle in time to finalize my evening plans. The traffic was completely stopped due to the combination of large numbers of spring visitor and construction work to the west. So I headed across the Valley and back to the east, looping around towards this spot. Some distance away the traffic stopped completely once again, so I simply pulled to the side, loaded my equipment on my back abandoned (temporarily!) my vehicle, and started walking. I could see good light ahead through the trees, but as I arrived some clouds blocked it. But since I wasn’t going to have much luck trying to drive elsewhere I simply decided to stick around and watch. Eventually there was a short break in the clouds, and a brief moment of lovely light illuminated these trees. And then the show was over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Granite Cliffs, Last Light

Granite Cliffs, Last Light
The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Granite Cliffs, Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Late last month I had the good fortune to spend a week in Yosemite, thanks to the Yosemite Renaissance artist-in-residence program. Their generosity provided me with a warm place to stay in the park and, most important, with time to chase photographs in the Valley and elsewhere. (With the onset — finally! — of winter weather in the park, it also gave me lots of opportunities to practice my winter driving skills!)

The Valley is, of course, filled with wonderful and well-known icons. Like virtually everyone, I photograph those, too, particularly when special conditions bring the possibility of special and different light and atmosphere to those familiar subjects. However, over time I have become more interested in other little bits of visual interest that don’t necessarily reflect the best-known features. On this evening I was at one of the most famous locations — with the promise of light snow, drifting clouds, and evening light breaking through. I make a habit of scanning the entire 360 panorama around me, even when the most obvious subject is in a 45 degree vector straight in front, and near the very end of the day a beam of sunset light passed across a rocky outcropping to my left, producing intense light on the rocks while the evening’s blue and purple colors began to fill the canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Snow, Last Light On Granite

Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.