Tag Archives: light

Photographs: Nature, Photographs: Sierra Nevada

Sierra Crest, Evening Light

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Sierra Crest, Evening Light
“Sierra Crest, Evening Light” — Early evening light on a copse of small trees, a bit of meadow, and peaks leading to the Sierra Nevada crest.

This photograph seems to me to have the “classic Sierra Nevada” backcountry “range of light” look. It is from my favorite terrain, those places just below timberline where the trees are short and rocky meadows abound, and where there are open views of alpine peaks. Even better, I made this photograph very late in the day as the evening light was beginning to warm the colors of the landscape.

It was a joy to spend a few days in this backcountry location with friends back in July. We did a low-key loop just outside of Yosemite, to the east of the park. The highest peaks in the photograph sit right on the crest of the Sierra Nevada, and the park is on the other side of that ridge.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest

Slot Canyon Detail

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Slot Canyon Detail
“Slot Canyon Detail” — Details of the wall of a Utah slot canyon, illuminated by reflected light.

There is a lot I could write about this photograph, the circumstances of making it, and how it ended up here today. First off, it is an older photograph, made years ago. I periodically revisit my old raw file archives, and I always discover photographs that I left behind. In this case, someone else’s photograph from the Southwest triggered me to review my older work from Utah, much of which is over a decade old. So far, I’ve rediscovered about twenty interesting Utah images from that period. Stay tuned!

The photograph came from a productive expedition to Utah during the autumn of 2014. I started out traveling and photographing solo, but eventually joined up with others as I worked in the southern part of the state for weeks. Early on that trip I almost randomly ended up at this location. I drove down a dirt road that looked interesting, found a place to park, and started walking down a shallow stream bed. The route entered a canyon that soon narrowed and turned into a slot canyon. It was only later that I discovered that I had been in a bit of a special place.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Lake, Peninsula, and Reflections

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Lake, Peninsula, and Reflections
“Lake, Peninsula, and Reflections” — Morning sun comes to a rocky peninsula at a wilderness lake reflecting gigantic talus slopes, Inyo National Forest.

Reflections in the waters of high country lakes always provide interesting photographic subjects. This lake, located just outside the northeast boundary of Yosemite National Park, produces some of the largest and most abstract shapes that I know of. The combination of open terrain and huge talus slopes are the keys.

I photographed here in the early morning, while my non-photographer backpacking partners were still snug and warm in their sleeping bags. The light had worked its say down the distant slope and across most of the lake — you can see the edge of the shadow on the rocks at center right.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Shadows, Ponte Dei Carmini

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Shadows, Ponte Dei Carmini
“Shadows, Ponte Dei Carmini” — Light and shadows on buildings at the Ponte Dei Carmini, Venice.

This photograph from Venice embodies many of the features that I expect to see in that part of the world. The Southern European light? Yes. Wrought iron work? Check. Earth tone colors on the buildings? Indeed. Narrow walkways? For sure. Of course, the venetian-style canals — not visible in this photo — are not quite so ubiquitous.

I’ll share a little technical note about this photograph. Cameras cannot really produce a native image that shows us details in both the very bright highlights (direct sunlight) and deep shadows. (Our eyes deal with this by quickly adapting to the brightness at the center of our attention.) So with digital photography our first priority is to protect those bright highlights — let them get out of control and you’ll lose highlight details completely. The subsequent post-processing task is then to brighten details in the shadows to restore what we think we saw when we looked at the scene. The trick is to do that in a manner that doesn’t give it away, one that doesn’t make the technique too obvious

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.