Tag Archives: light

Ship Yard Buildings, Crane

Ship Yard Buildings, Crane,Mare Island Naval Ship Yard.
“Ship Yard Buildings, Crane” — Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Yosemite Cliffs, New Snow

Yosemite Cliffs, New Snow
Cloud-filtered light passes over granite cliffs dusted by snow

Yosemite Cliffs, New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloud-filtered light passes over granite cliffs dusted by snow

This photograph came as a bit of a surprise. It had been cold and cloudy, and much of the light was rather flat underneath overcast. I had photographed through the afternoon, often finding moments of fine light, but as the day wound toward sunset the clouds thickened and obscured much of the earlier light. Running out of ideas — except for some that I was holding for a bit later — I ended up at an accessible location and, much to my surprise, some like appeared. Moments earlier this bit of cliff face had been entirely in shadow, but then a break in the clouds moved past and illuminated it.

There is a notion that landscape photography is always a slow and contemplative exercise. It certainly can be that, and I know I do spend a fair amount of time walking slowly, looking, thinking, and not necessarily making photographs until I find something — or it finds me. But as much as the landscape doesn’t move, the light and atmosphere often change quite quickly, and photographing it can be an exercise in timing. The timing takes the form of being lucky enough to be in the right place at the right time, something that you cannot control even though you can increase the odds, and then the timing of making photographs at the moments when light does its most interesting stuff. At these times if you turn away for a few seconds you may miss something entirely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, After Snow

Morning Light, After Snow
Light snow on forest trees and granite faces, following winter snow

Morning Light, After Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light snow on forest trees and granite faces, following winter snow

On most days I’m convinced that there is no season more beautiful in Yosemite Valley than winter, and no day in the Valley more beautiful than one following snowfall, when the sun comes out again, snow blankets the trees, and a bit of remaining mist floats among the spires. (OK, on an autumn day I may give more credit to fall colors, and on a spring day I may acknowledge new growth and wildflowers. But still.)

I was fortunate that it snowed on several days during my recent artist-in-residence stint in the Valley. (Thank you, Yosemite Renaissance.) It did not snow a lot, but it was unusually cold and snow fell all the way to the valley floor, with an accumulation in some spots of a few inches. Because it was so cold the snow did not immediately melt (as it often does at this elevation) or fall from the trees. In this photograph, across the open space of a meadow, you can still see snow in the trees, and it gets thicker as the trees ascend the south side of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Riverbank Trees, Winter Light

Riverbank Trees, Winter Light
Bare winter trees along the Merced River, Yosemite Valley

Riverbank Trees, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare winter trees along the Merced River, Yosemite Valley

There are many interesting things in Yosemite Valley. (“Duh!,” right?) The big, iconic features are well-known, but wander away from those a bit and you are bound to find more things worth exploring — trails, bends in the river, groves of trees, meadows, boulders, views of less-known cliffs, hidden seasonal waterfalls, and even historical human structures. Wander in the right directions at the right times and you may even find something approaching solitude in this busy place. (You’ll increase the odds if you do your wandering at times other than the summer tourist season.)

This photograph only required a small bit of wandering, since the walk to this spot is quite short. One of may photography habits in the Valley is to seek out “edges” — where shadow and light meet. These places produce all kinds of wonderful effects, including the possibility of somewhat subdued light and the opportunity to place brightly lit subjects against darker backgrounds. These trees provided such an opportunity, as the long shadows of cliffs along the north side of the Valley were growing across the Valley floor, leaving the riverside trees in low, late-afternoon sun while the background subjects had already fallen into shadows. The stark winter light, nearly devoid of color, produced an almost monochromatic scene with only subtle hints of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.