Tag Archives: light

Museum Windows, Central Park

Museum Windows, Central Park
Visitors sit in a Metropolitan Museum window overlooking Central Park, Manhattan

Museum Windows, Central Park. New York City. December 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Visitors sit in a Metropolitan Museum window overlooking Central Park, Manhattan

At the end of 2017 we spent a week in New York City, mostly visiting our “kids,” but also visiting the city itself. It was a very cold week! Daytime temperatures stayed below freezing — sometimes way below — for five days straight, and nighttime temperatures were in the low teens. On a warm day in New York, it is great to be outside. On winter days like these it is also great to be outdoors in Manhattan… just not for very long! On this day we eventually joined the throngs headed to warm museums, picking the Met, where there is a big David Hockney exhibit that I wanted to see.

I photograph in New York often enough to begin to understand the place a little bit — though nowhere near to the level of those who live there. But I still have plenty to discover, and on this trip I discovered — realized, more accurately — in a conscious way how good the light can be there. This is especially so, I think, in winter. The sun is low in the sky and its light often comes in a low angles, reflecting and silhouetting, and frequently appearing right in my frame of view. I made this photograph quickly while walking through a hallway at the museum where groups of people were taking a break on the ledge of these windows, against the bright backdrop of a soft-focus view of Central Park trees and a bit of the Manhattan skyline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Morning Light

Sandhill Cranes, Morning Light
A group of sandhill cranes flies in early morning light

Sandhill Cranes, Morning Light. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of sandhill cranes flies in early morning light

It wasn’t that long ago when I first began to photograph the birds in the San Joaquin Valley. I was oblivious to their presence for many, many years — which is strange, since I have traveled across that valley for decades on my way to and from the Sierra and other locations. Perhaps a bit more than a decade ago I got my first hint on a long drive to Seattle, when I passed through the Sacramento Valley and was shocked to see huge flocks of geese in the evening sky. Later, almost as an accident, a friend mentioned a location where there are sandhill cranes and, looking for something to photography, I went off to find the spot and, again, thousands of birds. From that time forward, photographing the birds in fall and winter has become a passion.

At first it was the geese that got my attention. Anyone who has seen flocks of thousands of snow geese or Ross’s geese suddenly fill the sky, or who has heard the sound they make will understand why them made such an impression. But somehow the cranes have become more and more the birds that define these places for me. Their call is like that of no other bird that I know, and they are often heard before they are seen. Their manner of flight is often more sedate than that of geese, and they often tend to fly at low elevations and in straight lines. This group flew overhead in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crane, Tree, Morning Sky

Crane, Tree, Morning Sky
A solitary sandhill crane flies into pre-dawn sky above a silhouetted tree and San Joaquin Valley wetlands

Crane, Tree, Morning Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary sandhill crane flies into pre-dawn sky above a silhouetted tree and San Joaquin Valley wetlands

By now you may be getting the idea that I like the brief pre-dawn interval, especially out in this autumn and winter wetlands of Central California. If so, you are right! There is a period of perhaps a half hour or so when the sky begins go glow, and the wetlands birds start their morning rituals — flying out from their overnight spots and generally raising a ruckus. Aside from their noise and fury, the rest of the landscape can be very quiet, as in this photograph.

On this morning I arrived early as usual, paused to set up my gear for photography, then began a circumnavigation of the area, slowing and stopping as various subject appeared. This bare tree, surrounding by reflecting water and set against the pre-dawn sky, caught my attention and I paused to make a few photographs. During this one a solitary crane passed through the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall, Window, Garden

Wall, Window, Garden
Light shines across a wall with a lighted window

Wall, Window, Garden. San Francisco, California. December 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Light shines across a wall with a lighted window

In a way, I would almost prefer to not identify this location, even the city — but since it is my habit to provide some information I will confess that I made the photograph in San Francisco. I joined up with a few of my fellow Studio Nocturne SF photographer to head out into the San Francisco night to do some night photography. We stopped at two locations. This first one is actually a fairly well-known location, but I decided to mostly not photograph the familiar subject but instead wander around and look for other things.

Recently I have been doing a lot of my night photography, especially the part of it done in cities, using a small, handheld camera. I’m essentially able to do street photography in the (near) dark, which means that I can often work quickly and without drawing as much attention as I would with a larger camera and a tripod. This photograph, which seems more like something that would warrant the use of a tripod, was made in this way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.