Tag Archives: long

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Cottonwood Trees, Autumn

Leave a comment
Canyon Cottonwood Trees, Autumn
Canyon Cottonwood Trees, Autumn

Canyon Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cottonwood trees with autumn foliage fill the bottom of a red rock canyon near Boulder, Utah

After a week or so of camping out in a range of Utah locations, one of which was rather remote, I emerged from this backcountry of gravel roads and red rock and canyons and came back to the (relative) civilization of Escalante, Utah. Gas stations! Espresso! Restaurants! Even better, I had an appointment to meet my cousin and her husband over in Boulder, Utah… and dinner was on the calendar!

I arrived in Boulder a bit early, and having a bit of extra time I decided to use it by traveling out on the Burr Trail. I’ve been on that road a few times in the past, so I figured that it would be fairly easy to find red rock canyon walls and perhaps more cottonwood color. As I arrived at the first narrow section of canyon the road traversed the side of a ridge and offered overhead views looking down into the canyon and up a larger nearby wash. While elsewhere in the state I had seen a combination of green cottonwoods and other trees that were just about at peak color, here is seemed that the cottonwood color had already peaked, and instead of a wall of gold I saw a mixture of a few intense golden trees and many others that had lost leaves and exposed their trunks and branches. In this spot the trees lined up against canyon walls, and a nearby they marched off down the canyon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Blue Hour, Point Lobos

Leave a comment
Blue Hour, Point Lobos
Blue Hour, Point Lobos

Blue Hour, Point Lobos. Point Lobos State Reserve, California. February 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening “blue hour” light along the Pacific Ocean shoreline at Point Lobos State Reserve

I have been visiting Point Lobos for decades, beginning when I was a young child. Point Lobos was on the circuit of parks in the greater San Francisco Bay Area that my parents regularly visited, and back in those days my elementary school even took field trips there to investigate tide pools. I have continued to visit often since that time. You would think that by now I would know every nook and cranny of this place but, as is always the case, there is still more to see and to learn about it.

For example, although I’m positive I must have seen this line of rocks extending into the surf many times over the years, it wasn’t until a few years ago that I recognized it as a potential photographic subject and even then I did not immediately see its relationship to the further shoreline. On this mid-winter (my favorite time to visit Point Lobos!) day I shot many subjects before finding myself here in the evening shortly after sunset, when the world takes on a magical and rich blue tone and ocean fog was beginning to appear over the coast.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technique

Camera Stability and Long Lenses

5 Comments

I responded to a question somewhere else and thought that it might be useful to share the response here, too. A photographer asked some questions about using long focal length telephoto lenses for landscape photography and how to deal with the issue of camera/lens stability, bringing up related questions about things like live view modes, mirror lockup, image-stabilization, and so forth. Here is what I wrote in response…

Rocky Creek Bridge, Surf and Fog
Black and white photograph of Rocky Creek Bridge with winter storm surf and fog. Big Sur coastline, California.

If you are shooting landscapes from the tripod…

  • Do use live view – it is the mode that introduces the least amount of shutter vibration.
  • Either mode 1 or 2 will perform essentially equally well when it comes to shutter vibration. (In both cases, there really isn’t any shutter motion vibration before the exposure since it is initiated electronically.
  • If you use a remote release (and you do, right?!) then there is no reason to use any delay setting on the camera to avoid vibration. (Many cameras have settings for 2 second or 10 second delays – mostly there so you can run and get in the photo, too!)
  • Mirror lockup is irrelevant in live view. The mirror is up by default in live view.  To be even more explicit, live view and MLU are mutually exclusive modes – they cannot be used at the same time.
  • After touching the camera, moving the tripod, etc., wait a few seconds for vibrations to dissipate before making your exposure. I  think that 2-3 seconds is sufficient, though some folks will claim that even longer might help.
  • Speaking of this, I would tend to avoid using either auto-focus (AF) mode when making landscape photographs with such a long lens. Either can introduce some amount of vibration to the system, but especially the mode that momentarily flips the mirror down, auto-focuses in the usual manner, then flips the mirror up to make the shot in live view. I prefer to manually focus at 10x magnification. If you must autofocus, do so before switching to live view mode, and then turn AF off before making the exposure.
  • Realize that the large area of these big lenses, combined with their very long focal lengths and great magnification, make the system far more susceptible to vibration from air movement. Even relatively weak breezes can create enough vibration to create a bit of blur and soften the image. Continue reading Camera Stability and Long Lenses →
Photographs: Nature, Photographs: Sierra Nevada

Autumn Flurries, Morning

Leave a comment
Autumn Flurries, Morning
Autumn Flurries, Morning

Autumn Flurries, Morning. Long Valley, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An early autumn weather front drops morning snow flurries along the rugged Sierra Nevada crest near Mount Morrison

This is another photograph from the final morning of our September photographic trip to the eastern Sierra Nevada. We were surprised to find it snowing lightly when we work up in Mammoth that morning, since there had been no mention of such weather in the previous day’s forecast. We decided to stick with our plan of making a big loop out to the east of Mammoth Lakes and then north by a back route to Mono Lake and highway 395 for our return trip. So we headed down the road out of Mammoth Lakes in the pre-dawn near-darkness and then started out across Long Valley.

Out in the valley as dawn approached, it became clear that the atmosphere was doing some very interesting things along the eastern edge of the Sierra. At first we saw a very strong weather cell over Mammoth Lakes that appeared to be dropping quite a bit of rain or snow, even though where we were it was virtually clear overhead. So we stopped and set up to make some photographs of these conditions. We continued shooting after the first red dawn light and watched as the snow squall worked its way south along the Sierra crest. In this photograph there is light snow falling along the ridge near Mount Morrison, but since the clouds did not extend to the east, the early morning light is hitting the upper slopes of this line of peaks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.