Tag Archives: macro

Lupine And Paintbrush

The flowers of lupine and paintbrush plants, Pinnacles National Park
The flowers of lupine and paintbrush plants, Pinnacles National Park

Lupine And Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

The flowers of lupine and paintbrush plants, Pinnacles National Park.

I found these wildflowers — lupine and paintbrush — along the High Peaks Trail and Pinnacles National Park on a recent visit this spring. I had gone there to try to catch the tail end of the spring wildflower season, which was quite good this year following heavier-than-average rainfall. I also felt like it was time for a good hike over some mountainous terrain. This route gave me both.

While wildflower photography constitutes a small portion of my work, I’ve been attracted to the subject ever since I started going into outdoor places decades ago. This year, for the first time, I finally have a macro lens, arguably the ideal tool for this subject. My ideal wildflower subject probably has some combination of the following: an interesting flower or flowers, perhaps some colors that are both striking and interact well, soft light, a background that is either not distracting or which can be made so with focusing techniques. This one group of flowers gave me most of that. In an area that was largely in sun and mostly featured clumps of individual types of flowers, here I found the red paintbrush and the blue/purple lupine juxtaposed in a narrow band of shade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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White Globe Lily… And Bug

White Globe Lily... And Bug
An insect on the top of a white globe lily flower

White Globe Lily… And Bug. © Copyright 2019 G Dan Mitchell – all rights reserved.

An insect on the top of a white globe lily flower.

Folks who follow my photography may have noted a rather large number of photographs of very small things recently, mostly a lot of wildflowers. This isn’t an entirely new thing for me, as I have photographed and occasionally shared wildflower photographs before. What has changed? Two things. First, I’m married to “the Georgia O’Keeffe of photographer photography, and she has a macro lens almost permanently attached to her cameras so that she can photograph this subject. Second, I finally decided to spring for my own macro lens, and I’ve been out trying to learn more about its use.

When viewed through the macro lens, photographs of flowers often end up being photographs of other things, too — bits of pollen, spider webs, dusk and dirt, brown areas, holes… and in this case, one black bug of significant size. I misidentified this flower for years, and I was grateful to a viewer who recently set me straight. It is a white globe lily. (If you want to understand just one of the reasons that I’m often challenged by naming such things, it is apparently also known as “fairy lantern, white fairy lantern, pink fairy lantern, lantern of the fairies, globe lily, white globe-tulip, alabaster tulip, Indian bells, satin bells, snowy lily-bell, and snow drops!”)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Shooting Star Flower

Shooting Star Flower
Shooting star wildflowers, photographed in San Francisco Bay Area hills

Shooting Star Flower. © Copyright 2019 G Dan Mitchell – all rights reserved.

Shooting star wildflowers, photographed in San Francisco Bay Area hills.

Shooting stars are among my favorite wildflowers. I know that I have seen them for years — they grow in the California coastal hills where I have hiked since I was a child — but my first strong memory of them comes from the Sierra Nevada. Decades ago I summited Mount Whitney for the first time, near the end of a two-week backpack trip that had started on the opposite, west side of the range. As we descended we crossed a creek and there was a dense field of these flowers.

In addition to liking this flower, there is another reason for posting this photograph. After doing close-up work with a variety of compromises over the years — “diopters,” extension tubes on regular lenses — I finally picked up an actual macro lens, the Fujifilm XF 80mm f/2.8 R LM OIS WR Macro Lens for my Fujifilm X-Pro2 camera. I took it out for the first time recently, photographing spring wildflowers in a nearby canyon that I’ve visited for years.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Macro Photographer, Death Valley

Macro Photographer, Death Valley
Photographer Patty Emerson Mitchell at work photographing the small things in Death Valley

Macro Photographer, Death Valley. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work photographing the small things in Death Valley

This is perhaps the typical photographic pose for my wife, Patty Emerson Mitchell, when out photographing — down on the ground, intently photographing some small thing that I probably wouldn’t have even noticed. Her speciality is in “seeing” flowers, often not as literal objective depictions of these things but as vehicles for exploring color and line and texture and shape and curve. A flower is a wonderful thing, but sometimes it can be many other things, too. On this morning we had stopped near a section of the Death Valley playa where there is a bit of water, and I had wandered off to photograph mountains and sky and the playa. She walked down toward the playa, photographed that stuff a little bit and then headed back toward the car as I continued to work.

Eventually the sun was high enough and I and had photographed here long enough that it was time to head back myself, too. I figured that she might be waiting in the car, but then I remembered, “No, she will be crouched down in the gravel, lens an inch or two from something interesting that I probably stepped over, making photographs.” I had photographed in Death Valley for quite a few years, not unaware that there were flowers, but not paying them all that much attention. On the first trip there that she took with me, for the first time I saw — or, more accurately, was shown — that there are small flowers and plants almost everywhere you look, even on the apparently rocky surface of a dry playa or even under a light snowfall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.