Tag Archives: man

Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Man in White, Mosco Street

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Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Man In White Pants

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Man In White Pants
A man walks into the sun on a San Francisco sidewalk

Man In White Pants. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man walks into the sun on a San Francisco sidewalk

After more than a month filled with colorful photographs of autumn foliage in the Eastern Sierra Nevada, I’m going to cleanse my palate a bit… with a black and white street photograph. I know it seems odd and even inexplicable to some that someone who photographs the natural world and likes to spend time there would also be attracted to photographing the constructed world of urban streets — but I do. In some ways I think of this other universe as more of an extension of the same way of seeing that attracts me to natural landscapes. These are simply urban landscapes and they are populated by people rather than animals. The same light falls on the city and on the mountains. In addition, photographing street tunes up my visual sense, forcing me to quickly see and respond to compositions, light, and subjects.

On a couple of occasions this past summer I joined a small group of like-minded photographers to wander around parts of San Francisco making photographs at night. We generally assembled in the late afternoon, photographed first in the daylight late in the day, grabbed a bite to eat, and then headed back out into the evening to photograph street scenes under ambient and artificial light. Here I headed up a street into the late afternoon light, focusing initially on the backlit subjects and the lengthening shadows, and then this fellow walked into the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Passersby

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Passersby
A couple passes a man with a dog on a San Francisco sidewalk

Passersby. San Francisco, California. July 25. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple passes a man with a dog on a San Francisco sidewalk

There are stories behind all of my photographs, but the stories of street photographs can be a bit more involved — they often include not only my own story but also the stories of the events and even the people who may appear. There is a bit of both in this photograph of some people along a sidewalk in the Chinatown area of San Francisco, a photograph made in the early evening at the beginning of a night of street photography. I can’t try to describe everything that might be here, but I’ll share a few hints.

The first subject I see in this photograph is the woman, whose gaze is somewhat averted and whose demeanor does not express complete ease. The young man she accompanies is, obviously, facing away from the camera as she clutches his arm. Look to the left and notice the figure near the lamppost — a man clothed in a tie-dye “robe” (for lack of a better description of his improvised attire), carrying a backpack, and walking a very large and hairy dog. That man was the first subject to catch my attention, and when I first saw him he was behind my camera position and walking towards me. Believe me, he was quite a subject himself, but I am not fond of grabbing photographs of people who seem to perhaps be down and out — that sometimes feels like a bit of cliché. So I let him pass without a photograph, but then instinctively turned to see the scene unfold in the wake of his passage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Market Street

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Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.