Tag Archives: man

Man at the Corner

Man at the Corner
“Man at the Corner” — A worker leans against a wall on a Le Marais corner.

Sticking with the Paris street photography theme a bit longer (perhaps quite a bit longer?), here is another photograph from Le Marais. Like several of the other recently-shared photographs, I made this one within a few moments of my “Je Suis Bleu” photograph featuring three women and a fascinating poster-covered wall. Initially that photograph was so central in my experience that day that I overlooked others made right before and after it. Writing an article about that photograph lured me back to the other raw files, and I ended up “discovering” several other interesting images.

This fellow figures in several of the exposures I made. There’s another where he is in the middle of a street, part of a larger group of pedestrians that is fronted by an “in your face” image of a walking woman. (You may see that one, too, before long.) Here he appears alone, just around the corner from the location of the “Je Suis Bleu” photograph. Viewers with sharp eyes may recognize the chalk head on the wall at far left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Je Suis Bleu: Bicycle Man

Je Suis Bleu: Bicycle Man
“Je Suis Bleu: Bicycle Man” — A man rides past a wall covered with street art, Le Marais.

I have been writing a new installment for my “A Photograph Exposed” series, where I write in depth about one of my favorite photographs. The photograph in question, which I regard as one of my best, features a group of three women photographed in front of this street art-covered wall. As part of the writing process, I went back to view other files made at about the same time — for reasons that will make sense when I share the article. In doing so I found other photographs of this scene that I like. In fact, if the “three women” photograph had not turned out, I might well have shared this one years ago!

I am fascinated by the experience of going back to forgotten image files and “discovering” work for the first time. There is a difference in how we see photographs that we have just made (and which we associate with the immediate experience of making them) and how we see the same photographs after time has passed. I think that, in some ways, we see the images more objectively in the latter case — perhaps we can “see” them as what they are more than as what we expected them to be.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Strolling, Le Marais

Strolling, Le Marais
A couple strolls along a narrow Le Marais street, Paris.

Strolling, Le Marais. © Copyright 2022 G Dan Mitchell.

A couple strolls along a narrow Le Marais street, Paris.

This photograph comes from a 2016 visit to Paris… and a few other interesting European places. This narrow street is characteristic of this part of Paris, an area where some of the oldest original buildings and streets are still found.

This is also, in my opinion, one of the more interesting areas to photograph. As is the case with many gentrifying areas in big cities, lots of different populations come together here — tourists, members of more privileged classes, folks who may have lived here before it became trendy, various other folks passing through. The streets and the architecture are also fascinating, from the narrow and car-free lanes to the very old buildings and the interesting examples of street art.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boba Tea Shop, Night

Boba Tea Shop, Night
A San Francisco Chinatown Boba Tea shot at night.

Boba Tea Shop, Night. © Copyright 2021 G Dan Mitchell – all rights reserved.

A San Francisco Chinatown Boba Tea shot at night.

This is another San Francisco night street photography photograph, made possible by the advent of very good, very small digital cameras that can now make good images in very dark conditions. Places like this one, with narrow streets, bright interiors, and a fair amount of ambient light from business signs, become viable subjects for the photographers working with handheld cameras and no electronic flash. In this sort of photography I often work quickly, pausing only long enough to frame up an interesting urban landscape and look for people to populate it.

As a person who frequently photographs on foot in San Francisco and who has lived reasonably close to The City for decades, I know some parts of San Francisco pretty well at this point. I’m frequently in and around Chinatown when I’m up there — because a friend suggests it, because I pass through on my way to another destination, or because it is my destination. For the most part I eschew the busy, commercialized stretch of Grant Street that most think of when they hear “Chinatown” in San Francisco. But at night it becomes more interesting to me, and the larger number and variety of ambient light sources are both interesting and helpful. The bright interior of this shop contrasts with the dark world on the sidewalk, and it is hard for me to say what is actually going on in the shop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.