Tag Archives: manhattan

Woman Pushing Stroller

Woman Pushing Stroller
A woman pushing a child in a stroller in a cross walk, New York City

Woman Pushing Stroller. © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman pushing a child in a stroller in a cross walk, New York City

Perhaps intuitively I have been making quite a few street photographs at cross walks, either while waiting for the light to change or while crossing the street. I think I need to be more conscious of this situation and the reasons it can work. For one thing, I stop at cross walks. While I do photograph as I’m “on the move,” the pause gives me an opportunity to scan my surroundings a bit more intently. In addition, there are usually other people collecting at the corner and waiting to cross — it might be an individual or it could be a small crowd. Also, when people are crossing they tend to (at least most of the time) be focused on their progression across the street and perhaps are less aware of me. Finally, the cross walk itself can provide an interesting visual context, especially the newer striped design.

This photograph is a bit hard to fully explain. There’s something about the black-attired woman and her unusual white sunglasses, along with her position as she looks toward the right side of the frame. The child seems completely inert, almost like luggage in the stroller. And, again, there are those alternating stripes of pavement and white paint.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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People At The Corner

People At The Corner
People stand on a Manhattan corner, waiting for the light to change

People At The Corner. © Copyright 2017 G Dan Mitchell – all rights reserved.

People stand on a Manhattan corner, waiting for the light to change

I work in various ways when photographing in urban settings. Sometimes I’m somewhat slow and careful, perhaps waiting for people to populate a scene or when treating the urban environment as a sort of landscape. Other times I work more quickly and spontaneously, photographing quickly and intuitively as instants occur and quickly are gone. This photograph came from the latter approach, and my recollection is that I made a series of perhaps three photographs in quick succession, perhaps not even looking through the viewfinder.

There are, obviously, people in the photograph. But something else here links to something I was told by someone who lives and works there. In Manhattan you constantly see these scaffolds set up over sidewalks. I had assumed that it was simply the case that there is work going on all the time. My source tells me it isn’t always quite that simple — sometimes the scaffolding is left up well beyond when is needed… because it is cheaper to leave it there than to take it down and find a place to store it! I enjoy looking a bit more closely at the individuals in this photograph and not just at the group as a whole. The people have a variety of demeanors and poses, some are interacting with others, and they vary in the extent to which they are engaged in the scene verses walking through it without paying much attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Light and Cross Walks

Winter Light and Cross Walks
Winter backlight illuminates pedestrians and cross walks in Manhattan

Winter Light and Cross Walks. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter backlight illuminates pedestrians and cross walks in Manhattan

People in cross walks seems to be becoming a bit of a theme here. I think that a reason may be that people tend to stay more or less in one place a bit longer while waiting to cross and their paths are more constrained while crossing the street. On top of that, encountering the temporary end of the sidewalk at a street corner does tend to face people into groups, and once the light changes they retain some connection to the group for a moment.

A few other factors appealed to me in this scene, and it wasn’t just the people. The light was wonderful, low winter light coming up the street from Lower Manhattan, and impossible to keep its sources out of the camera’s field of view in this shot. That produced the soft glare of light in front of the buildings on the right and it backlit the figures and case long shadows. Those shadows cross perpendicular to the light-colored lines of the cross walk, with become wider as they get closer to my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tasty Hand-Pulled Noodles

Tasty Hand-Pulled Noodles
Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

Tasty Hand-Pulled Noodles. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

This is another quite street photography photograph made in Manhattan, almost certainly along the edges of its Chinatown district. On the scale from instant and intuitive to slow and methodical, this photograph fits in the former category. I think I recall stopping for no longer than a few seconds to photograph this place, and timing a couple of the exposures to include this fellow coming out through the door. Once he was out of the picture my interest waned and we moved on.

Of course the name of the business caught my attention — not just “Noodles” or that word plus someone’s name, but “Tasty, hand-pulled noodles, Inc.”, and on a shop that wasn’t, well, very pretentious. The fellow coming out the door was wearing one of those bright orange reflective vests and a bicycle helmet. I saw no bicycle nearby, but perhaps he was a messenger. Not clear from the photograph, unless you notice how much clothing he is wearing, is that he was apparently out on a bicycle on a day when the temperature barely reached twenty degrees and the wind was blowing strongly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.