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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Beneath The Overhang

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Beneath The Overhang
High overhanging walls of a narrow desert canyon, Death Valley National Park.

Beneath The Overhang. © Copyright 2022 G Dan Mitchell.

High overhanging walls of a narrow desert canyon, Death Valley National Park.

This is a remarkable spot in a lovely desert canyon in Death Valley National Park. After hiking up a wash for some distance and navigating around a minor impediment, the path suddenly enters the “narrows” — sections of the canyon with very high walls only feet apart where little light manages to find its way down from above. Entering the soft light, shades, and quiet of these places is always a special experience.

I have presented almost all of my photographs from my recent pair of visits to the park as color photographs. It is hard to forego color with these subjects, given the remarkable variations in the color of the landscape and the light in the desert. But here I felt that a black and white rendition made sense and suggested those characteristic feelings from being in this deep canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Bend

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Canyon Bend
A bend in the canyon narrows, Death Valley National Park.

Canyon Bend. © Copyright 2022 G Dan Mitchell.

A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Most desert spaces tend to be exposed, open to the sky and wind, and blasted by the midday sun. The spaces seems horizontally oriented, often with a distant horizon and perhaps low mountains ascending from playas. The canyons contrast with this in almost every way. They are places of shade, often protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

It turns out that there are many smaller canyons in Death Valley. In fact they may be among the least-known and most interesting features of the place. There are a few that are popular, but most are a bit off the beaten path and some are downright difficult to get to. Their lonely quality is part of their charm, and I hope it stays that way. This particular spot presents a fascinating combination of the blue-light shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Wall Detail

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Canyon Wall Detail
Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

Canyon Wall Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

These rocks tell a story, a profound one no doubt, but also one that this non-geologist is incapable of fully comprehending. But I do know a few things, and with that bit of knowledge and the time to observe, I can report that there is a lot to think about in places like this and, for that matter, the entirety of Death Valley National Park. A difference between this landscape and most others with which I’m familiar is that here it is almost entirely exposed rather than being hidden underneath forests and snow.

As I understand it, the course of many of the rocks here is sedimentary — they were formed under ancient seas. (Portions of the valley were submerged much more recently, and that shorter tale is visible, too, in places.) Those sediments sometimes captured creatures that became fossilized, as we see in the black spots in the rocks of this photograph. Then various geological forces lifted, tilted, fractured, and contorted these layers over a vast span of time. In many places in the park the strata are inclined upward as they progress to the west. Here one of the inclined rock bands contains colors that are the exception rather than the rule in this national park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Narrows

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Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.