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Aarrgg! Broken Camera!

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Last night I joined The Nocturnes for night photography at Mare Island Naval Shipyard. Things began in the usual uneventful way – perhaps 40 photographers assembled as Tim Baskerville went over the “rules” of the game, I shot a few photos of the group, and then I headed off to start photographing the interesting shipyard structures under the light of a nearly full moon.

I began by working on improving a shot that I had attempted on another visit, a scene of a brick building with an attached green building in front of a metal roof structure with the power plant smokestack in the background, this time with some very interesting shadows cast by the overhead shipyard structures. Finishing this shot, I set up another of an overhead truss structure illuminated by moonlight with star trails behind. So far so good – and I felt like I was getting in the groove for a productive evening.

I composed a third shot, again with that shadowed wall of the brick building but this time with the base of a giant steel tower in front of it. I pressed the shutter release… and something didn’t sound right. Tried again, and still no go. I took the camera off the tripod and saw the dreaded Canon “err 99” message in the display. No panic, though; I’ve seen this before and know enough to remove the battery, card, and lens and give it another try. Ah, still no go. After removing the lens and jumping through a few other hoops I figured out that the mirror was in the “up” position, more or less waiting for the shutter to open… which it didn’t do.

So, perhaps 15 minutes into this night photography session I had an inoperable camera. I packed up and headed home, where I did a bit of Internet searching and found other descriptions of exactly this issue. It looks like I need to have Canon replace the shutter mechanism.

(I’m going to bring up one odd factor with Canon. It seems that a good percentage of the people who encountered this problem did so after exactly the same sequence of events that I followed in shooting long exposures with mirror lockup engaged. A number had even been using the 24-105 beforehand, as I had been. Hmmm… Later: I’ve been contacted by another photographer who had precisely the same situation and had some dialog with Canon about the situation…)

So, at the moment I’m without a camera. I’m giving some thought to picking up a 5D II a bit ahead of my planned schedule and either keeping the repaired 5D as a backup or selling it. (It would be a good deal for someone, especially with a brand new shutter.) Of course, as luck would have it, it appears that all of the body-only versions of the 5D II that were available last week are now out of stock…

Seems like a good day to take a hike. Without a camera. :-)

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Update on the Night Photo Shoot at Mare Island

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Earlier today I mentioned my disappointment at missing the announcement of this weekend’s night photography shoot at Mare Island sponsored by The Nocturnes, and my hope that I might still be able to join them. Luck was with me and I have confirmation from Tim Baskerville and Susan Nichols that I can take part – so I’ll be there doing the night photography thing tomorrow.

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Quick Friday Links and Notes

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Catching up on some links and thoughts I’ve been meaning to post during the past few days:

I see that Andy Frazer posted a piece about a book of photographs from ‘The Presidio’ by Charity Vargas and that Tim Baskerville has posted a longer piece on the same topic at his blog.

(Related to the above, I got the first notice yesterday of another night photography adventure at Mare Island Naval Shipyard scheduled for this Saturday… which included a deadline for participants to submit their application that had passed a week ago. I’m rather disappointed about that, as MI is one of my favorite locations for night photography, I’ve photographed there on several occasions with The Nocturnes, and I’ve been looking forward to going back soon. I’m hopeful that someone will reply to my email and let me know that I can still join them…)

Jim M. Goldstein posted a brief story about and links to photos of a sea otter doing something you don’t see every day and he has posted a new podcast of an interview with Aaron Johnson, the creator of the “What the Duck” photography comic.

One notion about “the right way to learn photography” that comes up a lot… and drives me crazy… is the claim that beginners should start with a single prime and stick to it if they want to understand composition and other important issues. The Readers Digest version of my thinking on this is that it was fine advice a few decades ago, but it is now obsolete. In any case, one of the arguments is that those who use zoom lenses instead of a prime are “lazy” and that they should “zoom with their feet.” I’ve been meaning to put together some photographs to go with a post illustrating the problems with this old-fashioned notion. I made the photos a week or so ago, and I hope to finalize this post before long.

Photographs: Central California, Photographs: Night, Photographs: Urban/Street

Building 65 and Alley, Night – Mare Island Naval Shipyard

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Building 65 and Alley, Night. Mare Island Naval Shipyard, Vallejo, California. March 22, 2008. © Copyright G Dan Mitchell – all rights reserved.

Building 65 lit by garish sodium vapor lamps, with a dark alley in the background and stars above.

This photo prompts me to post something about night photography and color that I’ve been thinking about for awhile. A scene like this one is lit by a variety of light sources – some natural light from moon and sky, tungsten lights, sodium vapor lights, and a gentle wash of mixed light sources from a nearby city. A question might be: “How do you accurately render the lighting of the scene?” My answer is, “You don’t.” Even if you could achieve an “accurate” rendering it would look nothing like what your night vision affected eyes “saw” since your eyes do not see the same way the camera does.

For me, one of the fun things about night photography – especially when artificial light sources are part of the scene – is that I can render to colors in whatever way makes the most sense for me.

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