The full moon behind dusk clouds above and eastern Sierra Nevada meadow
This will be another short post — things are quite busy right now! The photograph is from almost a decade ago, when I accompanied my brother, his wife, and three sons on a backpack trip into a favorite area of the eastern Sierra Nevada. Our trip began with a hike to a picturesque lake between two high ridges, where we spent several days exploring… and surviving “interesting” weather. We found a beautiful campsite on a bench above a meadow and lake. In the evening I set up on this high spot and photographed the near-night darkness with the moon shining from behind the broken layer of clouds overhead.
Early morning frost on dormant winter grasses in a Yosemite Valley meadow
On a late-winter morning like this one there could be snow in Yosemite Valley, and even without new snow there is likely to be a bit of it lying around in shady areas. But not this winter. This has been the fourth of a series of very dry years in California, and this year was especially unkind to the Sierra. By the end of the season the snow pack looks to be barely 10% of what it would be in a typical year, and the situation is even more dire since this is only the latest in a string of such years. So it was not surprise to find this meadow snow free, with only a bit of frost suggesting the season.
We arose early on this morning and headed out close to sunrise looking for a meadow with the common winter low fog. We finally found a bit of it in this meadow, though it was dissipating quickly. Before it went away we headed out into the meadow to see what photographic possibilities we could find. I first focused on the frost itself and on some of the winter-dormant brush and bushes around the meadow’s edge. Then I moved back into the main part of the meadow, where these bent over and dried grasses reminded me of the patterns I might find in flowing water.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A single cottonwood tree lies among dry winter grasses in a Yosemite Valley meadow.
This has been and continues to be a historically dry year in California and especially in the Sierra. More concerning, it is the third such year in a row. In a more typical year — and may those return soon! — the location where I made this photograph would be very wet and perhaps even snow-covered on a day like the one when I visited.
We headed out into the Valley very early on this morning. It was the sort of day when you might hope to find some ground fog in the Valley meadows. We had no luck at the first two meadows we checked, but the third did have a very tenuous and shallow layer of fog, so we stopped. I wandered out into the dry and slightly frosty meadow, and as I did the last of the fog dissipated. As I looked for compositions among the waves of dormant grasses I began to notice that here and there were reddish-brown heart-shaped leaves left over from the autumn cottonwoods.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Yosemite Valley forest and cliffs in hazy late afternoon light
This past weekend I had time to visit Yosemite Valley for a couple of hours. That doesn’t sound like much time, but it is enough to see a few things and make a few photographs. (We would have had more time, but we were distracted by migratory birds as we crossed the Central Valley, and by the time we arrived in the park it was mid afternoon.) Coming into the Valley we spotted the first evidence of the annual migration of the Horsetail Fall photographers, lined up in a spot along the Merced River a few hours before sunset. (We saw more of them on the way out of the Valley later in the evening.)
For me, photography in the Valley is often about the light, with the quality of the atmosphere being close to the light in importance. Given that there were no clouds I was not too optimistic about the prospects, but when we arrived at a meadow late in the afternoon I saw some beautiful haze that was starting to be backlit by the lowering sun. I found some trees — the group in this photograph and others in a pair of photographs I’ll share later — and I looked for a composition that eliminated the bright sky, that put the sun close to directly behind the trees, and which put some of the valley walls and towers in the frame in order to provide some form and textural relief to the haze. Then it was a matter of lining up the elements of the photograph so that the tallest trees were within the outline of a large tower. Shooting almost straight into the sun (and engaging in interesting gymnastics in order to shield the front element of my lens from flare-producing direct light), I made a few exposures.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
