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Dunes and Desert Hills

Dunes and Desert Hills, Death Valley
“Dunes and Desert Hills” — Early morning light on sand dunes and eroded desert hills, Death Valley.

Sand dunes were the primary attraction when I first visited Death Valley a couple of decades ago. They are visual icons of the place, and any new visitor would want to see them. For me, a person whose wilderness experience had been almost exclusively focused on the High Sierra, the dunes were exotic and new. Over time I discovered that there is a much more to this place, and the dunes are no longer at the top of my list of Death Valley destinations. Yet, I can’t let a trip go by without at least a brief visit.

This time my hour of dune photography was a prelude to other activities. I got up in darkness so that I could in position a half hour before sunrise. There is no denying that morning light in the dunes can be spectacular. After all these years, I’m still caught off guard by how quickly the dunes go from pre-dawn soft shadows to morning light and by the short period of extremely saturated colors right around sunrise. I photographed for perhaps 45 minutes, then hiked back to my car and headed to my real target for the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Sand Dune Abstract

Sand Dune Abstract, Death Valley
“Sand Dune Abstract” — Sand dune patterns in evening light, Death Valley.

I first photographed this specific subject in Death Valley well over a decade ago, and perhaps closer to two decades. I “discovered” it by accident while driving back from visiting an entirely different feature. I had stopped in this location to photograph other things, and as I scanned the landscape I noticed this section of almost pure sand dunes. I went here again this year at the end of February when the light on my intended subject died early, and I thought I might be able to work with the soft light in this spot.

Because I have photographed here for some time, I have watched — at times with some concern — as this location started to become another “icon” of Death Valley photography. One positive development of this, perhaps, is that the many photographs can look quite different, revealing how ambient light “paints” the landscape of the desert. (Well, OK, also revealing the role that post-production interpretation plays in such photographs.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mountains and Dunes, Sunset

Mountains and Dunes, Sunset
“Mountains and Dunes, Sunset” — Evening light on desert mountains with sand dunes in shadow, Death Valley.

Until you spend time there, it is possible to imagine that the terrain of Death Valley corresponds to traditional notions of “desert” — vast open and flat areas largely filled with sand. There are sand dunes, of course, but they cover a very tiny fraction of the entire park. There are open, flat areas that are not dunes, but they also are arguably not the area’s main feature. But everywhere there are mountains, and the arid landscape lays bare their forms.

I was in what are perhaps the best-known Death Valley dunes on this evening. I arrived in the late afternoon when the light was still strong, planning to be in an interesting location when the shadows of the Cottonwood Range would sweep across the flatlands before sunset. I made this photograph just after that happened, and while the dunes are in shadow there is strong and warmly-colored side light on the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune Shadow

Dune Shadow
“Dune Shadow” — A plant stretches out from the shadow of late-day light on sand dunes, Death Valley.

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.