Tag Archives: mesquite

Sand Dunes, Soft Light

Sand Dunes, Soft Light
Soft morning light on overlapping sand dunes, Death Valley National Park.

Sand Dunes, Soft Light. © Copyright 2022 G Dan Mitchell.

Soft morning light on overlapping sand dunes, Death Valley National Park.

We often hear that photography is all about light, and nowhere is this more true than when photographing sand dunes. In the middle of the day the dunes can be challenging to photograph, with harsh light and little definition of their forms. But all sorts of magic can happen when the angle of the light is lower and the dunes act as a canvas to capture and reflect the light and its color, intensity, softness, and more. The colors can vary through almost every shade from blue through red, and the light may be soft and gentle or stark enough to turn shadows almost black. And at times the light passes through all of these stages and more in moments.

I’ve long felt that dune photography gives the photographer more creative and interpretive freedom than many other subjects. Because the subject is so basic, it is possible to take liberties with the light — its intensity and color — and render photographs of dunes in a variety of subjectively true ways. The light was extremely soft when I made this exposure, so I used to tools of the post-production stage to bring out the colors and forms of the subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Desert Mountains, Evening

Dunes and Desert Mountains, Evening
Evening clouds above desert mountians and sand dunes, Death Valley National Park.

Dunes and Desert Mountains, Evening. © Copyright 2022 G Dan Mitchell.

Evening clouds above desert mountians and sand dunes, Death Valley National Park.

My recollection of this evening is that I arrived barely in time for late-day photography. I had been photographing elsewhere and calculating my schedule carefully. My plan was to arrive just in time to walk out to an area I had scoped out before, arriving at my destination perhaps a half hour before the sun dropped behind a western mountain range. I would first shoot straight into the setting sun, using its rim light to accentuate the forms of the dunes.

My plan mostly worked, though it took a bit longer to hike to the spot than I expected. By the time I arrived I had less than that anticipated half hour to work in the last direct sunlight, but I set to work and did get some other photographs that I like. Then, as happens in places like this, the mountain shadow moved quickly across my position and the light went from warm-toned and intense to soft and increasingly blue. I turned 180 degrees and photographed this evening cloud above the last direct light on peaks along the east side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote and Dunes in Morning Light

Creosote and Dunes in Morning Light
Shadows and early morning light on creosote plants and sand dunes, Death Valley National Park.

Creosote and Dunes in Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Shadows and early morning light on creosote plants and sand dunes, Death Valley National Park.

Yes, I know. I keep suggesting that I’m done with the new photographs from this year’s early-April visit to Death Valley. And then I decide to look at them again before moving on. And I find another that I want to work up. And then another. I really do think I may be done with them. For now. Maybe. But maybe not…

These creosote plants are among the Death Valley plants that seem to thrive, or at least survive, in the least likely places. Here they grow on the sand dunes and are among the largest plants you’ll find here. As they battle this harsh environment of heat, intense light, strong winds, and blowing sand they not only manage to live here but they even affect this landscape. Clumps of creosote like this one obstruct the blowing sand enough to begin a process of building small mounds at their base, and this seems to allow additional shoots of the plant to fill in until some examples are quite large.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alkali Flats and Dunes, Morning

Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.