Tag Archives: mono

Edge of the Meadow

Edge of the Meadow
High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

Edge of the Meadow. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

As often happens at busy photographic times of the year, I have a set of projects that I’m working on simultaneously right now. Some come from photography I have done as recently as the current week, while other come from work that I did as long as a couple of months ago. Along those lines, I still am working on photographs from our late-August and early September visit to a special Sierra Nevada backcountry location, where a group of us spent more than a week base-camped near a region with an unbelievable wealth of photographic subjects to explore. Today’s photograph comes from that trip.

We were camped for more than a week at a lake just a bit lower in elevation than the location of this photograph. On almost every day we visiting this general area, either focusing on it as the subject or passing by it on our way to other higher places. On this day I had gotten up rather early and explored the area as the first sunlight began to fall on the distant peaks, the meadow, and the trees surrounding it. My recollection is that this was probably one of the last photographs of the morning before I headed back to base-camp, and I’m certain that we were close to the conclusion of our trip. The foreground meadow was typically our main subject here. When we arrived a week from the end of August we were surprised to find it still completely green and filled with wildflowers. The flowers were still there when I made this photograph, but already the late-summer brown meadow color was appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Lake Shoreline, Evening

Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Meadow, Mountains, Storm Clouds

Alpine Meadow, Mountains, Storm Clouds
An alpine meadow as storm clouds build over mountain peaks

Alpine Meadow, Mountains, Storm Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An alpine meadow as storm clouds build over mountain peaks

Over the next week or two, sandwiched between photographs of other subjects, I will share a set of at least four photographs from more or less this same spot, all made the same day. The location was quite special, a broad meadow just a bit below 11,000′ with views toward an impressive range of peaks on the other side of a river valley. The meadow itself was still green, even though it was the end of August, with wildflowers everywhere. Everyone in our party returned to it frequently, morning and evening, and tried to work with its many subjects.

As I introduce the several photographs of the spot, I’ll try to say something about each one, including something about the vision of the mountains that was on my mind as I created it. There were several things at work in this version. The meadow itself is what initially brought me here, of course, and the bright light that fell on it is beautiful, but the photograph includes other elements. The primary secondary element — or is it actually primary? — is the range of jagged, alpine peaks in the distance. I placed the group of small trees in the foreground to balance the image and to lead the viewer into the scene — from the trees, across the meadow to the small pond, then past the small band of further trees and on to the peaks, and then to the sky. The sky is another important element, and emphasizing it was the reason that I used a wider lens and put the horizon relatively low in the frame. (My skies are frequently constrained to the very top of the image… if I include sky at all.) I was struck by the contrast between the sharp peaks and foreground light and how these elements contrasted with the dark and brooding quality of the sky beyond the peaks, where a large thunderstorm was brewing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reflections, Early Morning

Reflections, Early Morning
A distant ridge in very early morning light is reflected on the surface of an alpine tarn

Reflections, Early Morning. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A distant ridge in very early morning light is reflected on the surface of an alpine tarn

A photograph is a curious thing. It can “tell” you things about a subject — and about the person who made the photograph — that might not be easily communicated in other ways. On the other hand, a photograph usually leaves it to the viewer to guess at many aspects of the image’s context — and the viewer either brings her/his own context or may simply be unaware. For example, I probably see this scene very differently from others who view the photograph, even those who were there or who know the place. Let me explain.

What is not “visible” in this photograph? It was made near the end of a long stay in this area, where we were camped in forest a few hundred feet lower near a lake. So by this time I knew the spot quite well, and rather than “discovering” it I was essentially revisiting and looking more closely at things I already had seen. I had crawled out of my tent before sunrise, resisting the temptation to stay in the warm sleeping bag “for just a few more minutes,” and instead unzipping the bag, pulling on a down jacket and boots, heading outside and shouldering my gear. It was still not light when I arrived here, and a made a few “warm up” photographs as I wandered around this pond in the damp meadow. To make the photograph I was standing almost as much in the lake as I was next to it. At the time of this photograph the first, warm dawn light had come and gone, though the alignment of the peaks meant that not much direct light fell on the scene. Having visiting this spot for a week now, I was also noticing that the grass on the rise across the small pond was now visibly transitioning from summer green to autumn brown. As I worked a breeze came up, ruffling the surface of the water — and this photograph was made during a brief interval when it quieted enough to reflect the distant peaks. And speaking of those peaks, as I stood here and looked at them I was also aware that in about 48 hours I would be leaving, crossing a 12,000′ pass that is visible at the low point on that ridge. The trip was coming to an end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.