Tag Archives: monochrome

Man in White, Mosco Street

Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographer, Wetlands

Photographer, Wetlands
Water reflects clouds above photographer David Hoffman as he works from a levee in San Joaquin Valley wetlands.

Photographer, Wetlands. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Water reflects clouds above photographer David Hoffman as he works from a levee in San Joaquin Valley wetlands.

Passing through California’s Great Central Valley by car, you could be forgiven for thinking that there isn’t much there besides fast food, gas stations, freeway, and other stuff alongside the road. Get off the freeway, get out of the car, and slow down a bit, especially during the colder half of the year, and you may find a very different place. This little post is not the place to share the whole story, but for me the place is partly defined by its agricultural roots, partly by the sense that it is located between the coast ranges and the great Sierra Nevada, and partly by the sense I often get there of space and immense sky.

We had spent the morning photographing migratory birds and the somewhat hazy landscape. We broke for lunch in a nearby town and then returned for more photography in the mid afternoon. While we were at lunch the conditions changed — the light fog dissipated and high clouds from a Pacific weather front drifted across the sky. As we headed out toward a spot where we hoped to find birds for evening photography we paused along the levee and photographed the sky, its reflection in the wetlands pond, and the spare winter landscape. My friend and photographer David Hoffman is photographing the same pond from the far bank.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marsh and Sky

Marsh and Sky
Late autumn sky above a flooded marsh, Central Valley, California

Marsh and Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn sky above a flooded marsh, Central Valley, California

A winter ritual begins each year about this time. In the late fall the migratory birds return to California’s Great Central Valley and a band of photographers of which I am a part also heads out to the valley. The primary draw is the birds — geese, ibises, cranes, herons, egrets, and more — which gather by the thousands in the wetlands. But the valley itself also has its attractions at this time of year. The tule fog that slows drivers and obscures the sun also makes the landscape quiet and mysterious. The flat terrain is open to the sky and the clouds of winter storms create an overhead landscape.

A few days ago I made my first trip of the season to the valley, joining a small group of friends for a day of photography. We spent the first few hours focused on the birds — mostly geese and cranes on this visit — and then paused in the late morning. It was during this midday pause that I stopped along the edge of one of the marshland ponds and made this photograph of the expansive cloud-filled sky reflected in the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fire Escape, Shadows

Fire Escape, Shadows
Shadows from a fire escape fall across the front of a San Francisco building

Fire Escape, Shadows. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from a fire escape fall across the front of a San Francisco building

I made this photograph late in the day back in early September, on a street photography shoot with a group of like-minded folks in San Francisco. We met in the late afternoon, wandered about for a while in the beautiful late-day light, then broke for dinner before going back out to photograph after dark.

One one hand, you could probably find a similar scene in many other cities. On the other hand, it also evokes the architecture of San Francisco, where buildings are packed tightly together, often with seemingly little regard for their aesthetic appearance when viewed from the street — with the result being very utilitarian facades, often featuring metal gates, fire escapes, and sometimes a worn and weathered appearance. This street runs almost directly east-west, so late in the day the sunlight was falling across the front of the building at a low angle and casting strong shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.