Tag Archives: monochrome

Aspen Forest and Hills

Aspen Forest and Hills
Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

Aspen Forest and Hills. Sierra Nevada, California. October 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Ranks of autumn aspen trees ascend the slopes of the Eastern Sierra toward the crest in afternoon light

This is a photograph of brilliantly colorful eastern Sierra fall foliage… in black and white. Because I can! The location is along US 395 as it passes along the eastern escarpment of the range, and in this spot the hills are terraced upward toward the Sierra crest, high above and out of sight in this photograph. Aspens grow in abundance on these lower slopes, interspersed with grasslands, and leading to more aspens up higher and eventually to conifer forests.

I like to photograph in this area in the late afternoon, when low angle sun light comes streaming over the top of the mountains and backlights the trees and accentuates the effect of haze. While the close trees probably first got my attention, it was the little row of trees in the far distance, seen near the upper margin of the photograph, that eventually intrigued me the most. Why black and white? To be honest, one reason that I thought of this at the time I made the exposure was that, frankly, the colors were not yet at their peak. As I though about that it became clear to me that this photograph was not so much about fall color as it was about fall atmosphere — that softening and warming of the light, the gentle haze that mutes the details of more distant subjects. And I thought of this as just a little bit of a personal challenge. Frankly, it is probably easier to make a photograph in color that says “autumn.” But I know that black and white photographers have been able to accomplish the same thing, and I thought it would be interesting to give it a try myself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Air and Water

Air and Water
Signs in downtown San Francisco

Air and Water. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Signs in downtown San Francisco

This is an odd little corner along the edge of a downtown gas station near a freeway off-ramp in San Francisco, photographed early on a morning when some fog was still breaking up over this part of the City.

I suppose it is fair to ask what this photograph is “about.” (Though I often think that a photograph simply “is” rather than being “about.”) The soft yet directional light, slanting in from the right of the frame, is the first thing, but the mass and odd angles of the two towering build boards as another. Three is bit of work-play, too, with the text on some of the signs seeming either random or interesting or perhaps both. Whole words appear painted on the wall, though they make little sense absent the context of other missing words. A small sign announces, “Air and Water.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Passersby

Passersby
A couple passes a man with a dog on a San Francisco sidewalk

Passersby. San Francisco, California. July 25. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple passes a man with a dog on a San Francisco sidewalk

There are stories behind all of my photographs, but the stories of street photographs can be a bit more involved — they often include not only my own story but also the stories of the events and even the people who may appear. There is a bit of both in this photograph of some people along a sidewalk in the Chinatown area of San Francisco, a photograph made in the early evening at the beginning of a night of street photography. I can’t try to describe everything that might be here, but I’ll share a few hints.

The first subject I see in this photograph is the woman, whose gaze is somewhat averted and whose demeanor does not express complete ease. The young man she accompanies is, obviously, facing away from the camera as she clutches his arm. Look to the left and notice the figure near the lamppost — a man clothed in a tie-dye “robe” (for lack of a better description of his improvised attire), carrying a backpack, and walking a very large and hairy dog. That man was the first subject to catch my attention, and when I first saw him he was behind my camera position and walking towards me. Believe me, he was quite a subject himself, but I am not fond of grabbing photographs of people who seem to perhaps be down and out — that sometimes feels like a bit of cliché. So I let him pass without a photograph, but then instinctively turned to see the scene unfold in the wake of his passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Bar

A Bar
The view through the open door of a San Francisco corner bar

A Bar. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The view through the open door of a San Francisco corner bar

I felt like a bit of a voyeur making this and a few other San Francisco night photographs — but that is part of street photography, isn’t it? After starting in a very different area at sunset — a less touristy area of Chinatown — then working my way slowly down past the gaudy lights and bright shops of Grant Street — I ended up in the popular area of shops and restaurants and hotels near Union Square.

This place is, quite literally, a “corner bar.” It was quiet inside, and I imagined that at least some of the folks at tables or sitting on stools having a drink might be regulars. A few sat alone and a few were in groups of two or more. The most interesting man (in the world) appeared on the television screen. The door was open and I considered that enough of an invitation to make a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.