Tag Archives: monochrome

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Steps and Concrete Walls, Night

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Steps and Concrete Walls, Night
“Steps and Concrete Walls, Night” — A stairway in the dark, Mare Island Naval Ship Yard

I made this photograph recently, on a night photography visit to the Mare Island Naval Ship Yard with my friends from the Nocturnes, the San Francisco Bay Area night photography group. We assembled for an “alumni” event, so almost all of us were veterans of night photography at this location. Many of us have photographed here for a decade or more.

Instead of beginning with the usual subjects, I needed out into the night with the goal of avoiding them, at least at first, and instead looking in unlikely places that I had not previously photographed. I spent more time that I would have expected in the area of this staircase. I first happened on it almost by chance. I was photographing this building from some distance away, and as I worked on that photograph I began to notice the potentials of some of the concrete structures near the front of the building. I wandered over there, slowly considered the possibilities, and was first drawn to this stairway. It took be a bit of work to finally arrive at this composition — my first thought was to use a vertical composition.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Snag, Sky

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Snag, Sky
“Snag, Sky” — An old, twisted snag against a gray and cloudy Sierra Nevada sky

Old dead snags can be some of the most compelling sights in the High Sierra. They are everywhere —on the glaciated granite slabs, high atop ridges, within the first, lying in meadows. They are the other end of the life cycle begin by small trees at the edges of meadows. Sometimes to me they seem almost closer in spirit to rocks than to other living things, and some that die in dry rocky places continue to stand for a long time before finally decaying and fading away. Because they are stripped of small branches and needles, the reveal the complex and twisting shapes of the inner tree.

I came across this snag high in an area of granite slabs above a lake where we were camped. I visited it several times, intrigued by its shape and challenged to figure out a way to photograph it that did not include the surrounding living trees. Finally I found an angle that I could photograph with a long lens, tightly cropping a section of its form against the gray of a cloudy sky. In the end I decided on a monochrome rendition, feeling that it better captures the abstract from of the trunk and branches.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Photographers, Photographs: Urban/Street

Photographer Doug Kaye

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Photographer Doug Kaye
Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Photographer Doug Kaye. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Back in early September I joined up with a group of fellow photographers to explore areas of downtown San Francisco in late afternoon light, followed by dinner, and then a return to the streets to photograph at night. Among the group was photographer Doug Kaye, here seen walking into the light along a narrow San Francisco street, a street lined with a bit of Dr. Seuss architecture with wildly dissonant angles from shadows, fire escape leaders, perspective convergence, and a crazily tilting lamp-post.

Later on this evening we headed back out after dark to photograph areas between roughly upper Chinatown and the Union Square vicinity. Night street photography is rapidly becoming a bit of a passion. Last year on a trip to Manhattan I realized that my little mirrorless camera performs well enough at high ISOs that I can effectively do handheld photography in the urban night environment — and this was a revelation!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Receding Ridges, Rain

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Receding Ridges, Rain
A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

Receding Ridges, Rain. Owens Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

This photograph belongs to a portion of my work that I think of as minimalist landscapes. They often focus on landscapes that are largely hidden or in which some elements are obscured. Not all involve mist, clouds, fog, and rain, but quite a few do. In many of them I am trying to work with a kind of light that is very special to me, where the atmosphere itself becomes luminous, perhaps when filled with haze or fog or dust and lit from behind, producing a kind of glowing effect that can be so bright that it is hard to look into.

On this day I had, or so I thought, finished my autumn photography on this trip, and I was in my “heading home” mode. I had driven down from the mountains, where I had photographed in rain and incoming light snow earlier in the morning, stopped in a town along US 395 for coffee and something to eat, then gotten into my vehicle to hit the road. Not 15 minutes north of town I came to a familiar spot where I often stop to admire the view and sometimes photograph. I pulled over and went a ways up a side road and watched the landscape disappear behind rain and clouds as a squall moved through. I set up under the rear door of my vehicle so that I could have some shelter from the rain, and I began looking for places in the landscape where there was just enough detail to suggest its form but no more than necessary. (Trivia fact: This is a color photograph!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.