Tag Archives: monochrome

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Granite, Morning

August 6, 2011 G Dan Mitchell 1 Comment

Morning light shines on the trees clinging to massive granite domes in the high country of Yosemite National Park.

I’ll write a bit less about this photograph since I posted it already in a color rendition and described some of the background of the image in that earlier post. The basic idea is that I used a very long focal length to isolate the single primary tree against a world of granite that recedes toward the rising sun that is above and out of the frame to the right.

When I made the photograph I had a pretty good idea that it might work as black and white. In fact, though I don’t recall for certain, I think I was leaning towards thinking of the scene in black and white when I made the exposure. (Those last two sentences must seem strange if not almost perverse to people whose primary background is in film!) Sometimes, as with this scene, I end up liking both versions, at least at first. While I may end up leaning toward one or the other more after I live with the prints a while, right now I go back and forth. Of course, when two things are different it is not necessarily the case that one must be better than the other; sometimes they are just different.

Oddly, one thing that inclined me towards black and white ends up also suggesting color. Because so much of the content of the frame is nearly monochromatic I think I originally felt that with so little color to work with that it might make sense to just let it be monochromatic. But then, “with so little color to work with,” the subtle effect of color begins, in some ways, to be even more important.

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Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Stairs, Person Walking

July 29, 2011 G Dan Mitchell 2 Comments

A person walks past the bottom of a stairway along Stockton Street, San Francisco.

When I posted a color version of this photograph a week or so ago I mentioned that there was also a black and white version – and that I was up in the air about which I prefer. I’m still not certain, though I’m leaning more towards this monochrome version. While there are some aspects of the subtle colorations in the other version that I am hesitant to give up, I think that the angles and forms and masses of dark and light may be more the focus in this version.

Since I told the story on the original post I’ll keep it short here. I was in the Stockton Street area of Chinatown in the morning and had crossed the “bridge” at the termination of a dead end alley that sits above Stockton. There were two stairways down to the street level where Stockton emerges from a short tunnel. As I went down the stairs I thought that the angles and the light in the stairwell looked interesting as forms and was working out a composition or two when the figure walked through the frame and I reacted quickly to make a photo that is quite a bit different from what I was thinking of when I started.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks and Fog, Point Lobos

July 27, 2011 G Dan Mitchell 2 Comments

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Juxtaposed Buildings With Shadows and Reflections

July 11, 2011 G Dan Mitchell Leave a comment

The overlapping structures of downtown buildings covered with reflections and shadows, San Francisco.

I made this photograph while walking up Market Street in San Francisco on this early July morning, dodging fast-walking pedestrians and bunches of tourists. I wasn’t certain of what I would shoot here on this day, and I was actually equipped more for shooting street level scenes than this sort of thing, in that I was traveling light with only a few basic prime lenses. But when I visit here, I’m almost always fascinated by the juxtapositions of different types of architecture, patterns of shadows and reflected light, the effect of perspective when looking up from the street, and the odd similarities to some of the rugged landscapes that I also like to photograph.

I’m not good about paying attention to the identity of the buildings, so while I could certainly locate them again quickly I’m afraid I can’t name them! I’ve photographed both before, and I was already very aware of the reflection patterns that appear in the windows of the darker building on the left, creating a criss-cross pattern against the lines of its own windows. There are more subtle effects of light on the lighter surface of the building on the right. Reflections from windows above and to the right cast diagonal lines of faint light down and across this part of the building, and below that there is a faint pattern of darker lines which are shadows from the light reflecting through the horizontal structure at the far right margin. (Being a fan of such things, I also like the fact that this open structure creates dark shadow patterns beyond and to its right and lighter shadow patterns across the whole face of the building. Yet other buildings are reflected, slightly distorted, in the large windows set in the bright wall.

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