Tag Archives: monochrome

Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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White Mountains, Autumn Storm

White Mountains, Autumn Storm
An autumn storm drops snow on the summit of the White Mountains.

White Mountains, Autumn Storm. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn storm drops snow on the summit of the White Mountains.

Autumn is fascinating time of transition in the Sierra Nevada. One day it can be sunny a warm, with the landscape filled with the golden and brown tones of fall — perhaps the most inviting form of the Sierra landscape. The next day something resembling winter sweeps in, the wind rises and the skies turn gray, and snow falls among the peaks. While summer is the time of easy access to most of the range, I’ve always had a great fondness for autumn in the Sierra — it is, without a doubt, my favorite time of year there.

We had ascended high on the giant fan at the base of the range above Bishop, looking for new perspectives and for aspen groves a bit more off the beaten track. The previous day and night had brought an early weather front through the range, closing some of the passes, and laying down a few inches of snow on the highest regions. From our position we looked back across foothill formations and the Owens Valley toward the immense White Mountains, a range that is just as high as the Sierra, where new snow coated the cloud-covered peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Branches

Aspen Branches
Winding branches of an aspen tree, Sierra Nevada.

Aspen Branches. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winding branches of an aspen tree, Sierra Nevada.

For some reason this tree sticks in my memory. I had been scouting and photographing in the Lake Tahoe area as part of the work on my fall color book. On my way back to the San Francisco Bay Area I decided to leave the Tahoe area and head south so that I could drive through Hope Valley and over Carson Pass. By the time I got here it was late and the light was fading. There was a solid wall of aspen leaves behind this exposed tree, but they were very early in the autumn transition and still mostly green. I did not seem like the typical “fall color” photograph, but I stopped and made a few exposures anyway.

Some time later I “found” this file in my archives and, unlike when I made the photograph, it somehow seemed obvious that it could be a black and white image. Sometimes I know (more or less) when I make the exposure that a photograph is going to end up in a monochromatic rendition. But I confess that I sometimes reserved judgment until I see the raw file later on… and that on some occasions a photograph that I initially conceived of as a color image only reveals its potential in black and white during the post processing phase.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Ridge and Haze

Autumn Aspens, Ridge and Haze
Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Autumn Aspens, Ridge and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Necessity, as they say, is the mother of invention —or at least a trigger to try something different that what I would usually be doing with a subject like this one. The subject is, of course, “fall color” from the Eastern Sierra Nevada aspens. The challenge at times on this visit to the area was the wildfire smoke was obscuring a lot of the landscape and muting and altering the colors. Late-summer and autumn wildfire smoke has long been a seasonal feature in and around the Sierra Nevada, but the situation has become much worse in recent years. The fires a larger and they last longer, with the end result being a whole lot of smoke in the air.

So, what to do? There are almost always ways to shoot around such challenges. One is to forego the large landscape and shoot more intimate subjects — perhaps focus on one grove, one tree, or even one leaf rather than on the grove in the larger landscape. Another is to embrace the smoky conditions and try to find a way to make aesthetically compelling photographs of that subject. Another option is to move to monochrome. The smoke that looks brown and ugly in color can merely look like interesting haze in black and white. Of course, this leaves us with another challenge when the subject is fall… color. But we photographed autumn in black and white in the past. We can still do that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.