Tag Archives: morning

Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Wildfire Smoke

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Mono Lake, Wildfire Smoke
Mono Lake and tufa towers with drifting wildfire smoke in morning light

Mono Lake, Wildfire Smoke. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and tufa towers with drifting wildfire smoke in morning light.

My foremost impressions of Mono Lake are usually formed around its vast expanse — the place is absolutely huge, and the low mountains to its east accentuate this effect. The great open space above its water usually presents an equally expansive view of sky, whether it is pure blue or broken by various clouds. (My other strong impression of the place is an audio impression — a combination of early morning silence and the sounds of thousands of birds.)

I made this photograph during very unusual conditions. On this late-summer morning a very large wildfire was erupting south of here, and its smoke was drifting northward in the early morning. The morning light was increasingly blocked by the smoke and eventually (after I made this photograph) the smoke became oppressively thick and I had to leave. When I made the photograph the smoke was drifting softly in front of those distant mountains and glowing faintly in the early morning backlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

Cranes, Dawn Clouds

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Cranes, Dawn Clouds
A flock of sandhill cranes flies beneath dawn clouds

Cranes, Dawn Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies beneath dawn clouds.

When I began photographing (mostly) migratory birds in the Western United States I was largely ignorant about what I was seeing. One of my first bird photography forays was essentially an accident. I happened to run into a friend in a coffee stand line one morning and she (who is a true “birder”) happened to say, more or less, “I think you might like to go visit this place I know of.” Given the way I sometimes work, that serendipitous nudge was sufficient to get me to drive a few hours before dawn the following weekend to visit this place I’d never heard of before. I arrived. There were tons of birds. (And I discovered the power of the sound of the birds, too!) I had no idea what I was seeing, but I liked it and I made photographs. I was hooked.

As I started to edge over toward an active compulsion to photograph birds more seriously I began to recall a earlier hints about this world that I had ignored. One was all the way back in a college “natural science” short course, where the prof (who seemed a bit “odd” to me then) went on about snowy egrets (which I mostly ignored) and made us read Aldo Leopold’s “A Sand County Almanac.” I didn’t fully “get” Leopold’s book at the time, but it planted a seed. (Re-reading it years later I understood more fully the power of Leopold’s vision and his writing, and I recommend the book.) One thing that I DID retain from reading that book was an idea that there was something special about sandhill cranes, which were among the birds that I finally discovered in the real world on that first morning when I acted on my friend’s coffee line suggestion. The birds in this photograph are sandhill cranes, which seem to me increasingly to be magical birds. In fact it is their characteristic cry that is my strongest audio association with the places where wild birds are found. I photographed this group very early in the morning as their trajectory took them below the edge of dawn-tinged clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Fall, Photographs: Nature

Wetlands, Autumn Tree

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An isolated tree with autumn foliage and a foggy wetland morning

Wetlands, Autumn Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

An isolated tree with autumn foliage and a foggy wetland morning.

This colorful tree illustrates something I learned about California (and western states) fall color some years ago — namely that it lasts a lot longer than you might think! I can often spot a few first hints of autumn color in the Sierra Nevada high country as early as late August, when corn lily plants start to go dormant and turn yellow and then brown. Soon after that some meadows begin to turn red as bilberry changes colors and a few yellow aspen leaves turn up here and there. By late September there is plenty of color in the highest elevation areas, and it works its way down to the road-served front country by or before the start of October. The color continues to descend to valleys at the base of the eastern Sierra throughout October, and by the start of November there is a lot of color in the western Sierra foothills. This color spreads throughout the state’s lowlands through November and right on into December. A month ago, close to Christmas, I saw beautiful cottonwood color along a Southern California river.

I photographed this wetland tree (though there may be more than one on the small island) a few days into December, on a morning that was technically late-autumn but which felt more like winter. It had been foggy at sunrise, but as the morning wore on and the sun rose higher the fog began to thin. This soft light highlighted the yellow and folder colors of this quintessential California scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Pond, Clearing Fog, Morning Light

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Pond, Clearing Fog, Morning Light
Water plants and clearing fog in morning light over a wetland pond

Pond, Clearing Fog, Morning Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Water plants and clearing fog in morning light over a wetland pond.

Luckily for me, I live in a part of the world with lots of opportunities to find watery landscapes that may be affected by fog, mist, clouds, rain, and even a brilliant sunrise or sunset. I live less than an hour from the California coast, and only a few hours from spectacular places such as the Big Sur Coast and Point Reyes National Monument. There are many other places not far away that feature this things — water, light, and atmosphere — and if I visit at the right times I get the bonus of quiet and stillness.

I made this photograph on one of those foggy mornings near water. The sun had come up already and the spectacular dawn and immediate post-dawn light was gone. But as the sun rises it also warms the air, and the fog begins to thin and dissipate. When I came upon these interesting water plants, going to brown at the end of their season, the air had cleared enough to begin to reveal more distant details under the soft but directional light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.