Tag Archives: morning

Badlands Detail

Badlands Detail, Death Valley
“Badlands Detail” — Photograph of details of badlands gullies in soft morning light, Death Valley National Park.

The pink color of the formations in this photograph was a big part of its appeal. It was early morning, and the direct sunlight had worked its way back across the valley to the tops of ridges nearly, and the light’s warm color washed over the nearly-white material of these ridges and valleys. Again, the Death Valley landscape, which can be rather subtly colored, served as a canvas for the effects of colorful light.

The location is at Zabriskie Point — I’m not giving away any secrets by mentioning this well-known location. It is one of the two or three most popular places in the park to view the sunrise. It was an unanticipated turn of events that brought me to this location, and I was originally going somewhere else when I set out before dawn.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dunes and Distant Hills

Dunes and Distant Hills, Death Valley
“Dunes and Distant Hills” — Death Valley sand dunes and distant desert hills in morning light.

The photograph’s title includes the words, distant hills.” But just how distant are they? From my position as I made this photograph, once I got to my vehicle, it would be a roughly 10 mile drive to those hills. Distances (and sizes) can be very deceptive in this park where we often experience huge vistas with features many miles away.

I made this photo near the end of the morning’s work. I had started before dawn, both to photograph in the soft predawn light and because I wanted to be in place for the arrival of the first direct sunlight. When that arrives, things transform very quickly. At first the color-saturated light hits only the high points, but as it increases the light works down onto and around other features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Salt Flat Reflections

Salt Flat Reflections, Death Valley
“Salt Flat Reflections” — The lower slopes of the Panamint Mountains are reflected in shallow water on Death Valley salt flats.

The experience of making this photograph was perhaps as enjoyable as the scene itself. I was up very early and walked out to the edge of the salt flat a bit more than a half hour before sunrise. From earlier scouting I had a pretty good idea of where I wanted to be. Out there next to the playa it was utterly silent and still, and I was the only person there to witness the morning light coming to the Panamint Range and then the valley.

It may seem counterintuitive to go to Death Valley to photograph a mountain range reflected in still water. But out in the valley, a good distance from the roadways, there is essentially always water. It may be in pools and slowly evaporating or, as here, it flows slowly all year long. The water in the photo is probably less than an inch deep, but that’s enough to produce a fine reflection.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Morning Dunes

Morning Dunes, Death Valley
“Morning Dunes” — Death Valley sand dunes in early morning light.

On my late-February visit to Death Valley I only photographed the dunes on one morning. The dunes are a wonderful subject, but there are lots of other things to see and photograph in this park, and photographing those subjects didn’t leave me much time for the dunes. But it would seem wrong not to visit them at least once! I arrived well before sunrise, loaded up a pack, and walked out in the dim pre-dawn light to look for a good spot to use as a my vantage point.

Eventually I climbed to the top of a long dune that provided open views in almost every direction. There are lots of ways to photograph dunes, but on this morning I went with a very long telephoto that allowed me to focus in on distant subjects and still fill the frame. I noticed the overlapping curves on this tall dune as soon as I arrived, and I photographed it several times as the light transitioned from the soft, blue predawn light, through increasingly directional light as sunrise approached, to the intense light just after sunrise.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.