Tag Archives: Mountain

Shoreline Mist, Autumn

Shoreline Mist, Autumn
Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

Shoreline Mist, Autumn. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

This is perhaps an example of a photograph that required me to point my camera the “wrong” direction. I was at a very popular aspen photography destination in the eastern Sierra Nevada, where early color was developing quite nicely even in late September, perhaps a week earlier than usual. There are a couple of standard photographs that almost everyone makes at this location, but since I did those some years ago I’m usually not interested in re-doing them now. (With truly exceptional conditions I would relax that notion a bit and rush right back to the standard place and make photographs!) So when I go back here I now tend to poke around a bit and see what else might be possible there.

So I started this morning by climbing to a location from which I had not photographed before. From that vantage point I saw a few other possible angles on the subject, including some from the far side of the lake. I soon headed over there and as I looked back toward my original location I saw that a low haze was back-lit along the edges of the lake. I’m a complete sucker for both mist and backlight, so I pointed my camera almost straight back into this light and made a few photographs of the grassy area along the lake’s shoreline and the trees, both aspens and conifers, rising beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country Aspens

High Country Aspens
A row of autumn aspens in front of receding conifer forest and rising slopes near Sonora Pass on a Sierra Nevada fall evening

High Country Aspens. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A row of autumn aspens in front of receding conifer forest and rising slopes near Sonora Pass on a Sierra Nevada fall evening

Although I’ve driven across Sonora Pass for years, I feel that I have perhaps neglected its photographic potential, perhaps because it is somewhat out of the way for me on many of my Sierra trips — the major Tahoe area routes are farther north, and my favorite trans-Sierra route further south is Tioga Pass through Yosemite. I have photographs from the base of the pass on the east side, but my collection of photographs from the highest reaches of the pass is very  small. With this in mind, I decided to return from this trip to the eastern Sierra by way of this pass, and I timed the traverse for the late afternoon when I thought the light might be idea.

Although this pass is not quite as high as Tioga Pass, it has a much more alpine feeling. The road is very steep in places and frequently quite narrow as it twists and turns up and down and around trees and boulders. I recall once thinking many years ago that driving this pass is about as close to the feeling of hiking the high country as one can get on a road. There are a lot of aspens along this route, but in many places they are mixed in with the conifer forest, making them a bit more difficult of a photographic subject. Finally, perhaps a couple miles east of the pass, the terrain opened up to high forests and meadows and I found a few beautiful aspen groves standing apart.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Subalpine Lake, Dusk

Subalpine Lake, Dusk
Dusk comes to a Sierra Nevada subalpine lake on a rainy evening

Subalpine Lake, Dusk. Yosemite National Park, California. September 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dusk comes to a Sierra Nevada subalpine lake on a rainy evening

Near the middle of September three of us spent a week camped at one Yosemite back-country lake, photographing the lake and its surroundings every day in a range of conditions. At times we dealt with this summer’s extremes of wildfire smoke, which was occasionally so thick that it almost seemed like fog and it made breathing difficult. But each day, even on the smokiest days, the wind picked up and it cleared out enough to make photographs — some days the early morning was clear and the smoke drifted in later, while on other days we started out with murky conditions and then watched them clear.

A bit to our surprise, on the last few days a weather front came through and we had much more “interesting” weather — rain, wind, hail, graupel, and clouds swirling around the nearby peaks. On this evening the clouds were gathering — it would rain later that night — and patterns of lighter and darker clouds filled the sky above our lake. Late in the evening, as the light was beginning to fail, I walked a short distance from my tent, set up along the shoreline, and mad some photographs of this mysterious scene in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Granite Ridge, Trees

Granite Ridge, Trees
Tall trees on top of a granite ridge, Yosemite National Park

Granite Ridge, Trees. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tall trees on top of a granite ridge, Yosemite National Park

This has been a period of unprecedented drought in California as a whole and particularly in the Sierra Nevada. In the fourth of this series of drought years the Sierra is showing the strain. Creeks have stopped flowing, lake levels are significantly low, trees are under stress and dying throughout the range. This summer the annual wildfire season began much earlier than usual, and many fires spread quickly and took longer to contain. We certainly saw all of these effects during our week-long photographic sojourn in the Yosemite backcountry. Until we had a couple of days of (welcome!) rain near the end of the trip, the smoke was a major factor. On many days we had smoke so thick that we were concerned about our health, and the pall often made photography somewhat challenging. Fortunately, even on the smokiest days there were times when it was clear, too.

However, it is possible to see how to make photographs even in smoky conditions. On the plus side, some smoke can soften the light a bit, and the haze can enhance the atmospheric recession effect, which can emphasize the distances between subjects in front of the camera. The haze in this photograph comes partially from wildfire smoke. Here it muted to sometimes-difficult highlights on the granite, and it softened and muted the distant forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.