Tag Archives: Mountain

Small Tree and Pothole

Small Tree and Pothole
“Small Tree and Pothole” — A small tree grows out of a pothole in stained granite rock, Yosemite National Park.

The more time I spend wandering around and photographing on granite domes and slabs, the more astonished I am at the trees and other plants that find ways to survive in the most marginal of conditions. Often we look at the trees growing on these domes and perhaps fail to consider how old they are — a three-foot tree here may be a mature tree — or how tenuously they seem to find sustenance in small cracks, potholes, and low spots where a bit of soil collects. In fact, as the trees and other plants take hold they seem to create their own soil as needles and old growth decay in these places.

Somehow this little tree managed to take root and survive in a small pothole in otherwise smooth granite, no doubt taking advantage of the fact that the bit of soil in the pothole holds some moisture. In typical form, the tree appears twisted and stunted, being perhaps only a couple of feet long and with a trunk that seems to have had a hard time making up its mind about which way to grow. The tree does not stand up from the rock at all, instead lying flat on its reddish surface.

Note: Edited slightly in 2024.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne
Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne. Yosemite National Park, California. September 6, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Haze fills the westward view into the Grand Canyon of the Tuolumne River

Far below the location of this photograph lies one of the greatest travesties in the national park system — the abomination of the Hetch Hetchy dam and reservoir. I now understand the political pressures that led to the damming of this “second Yosemite” — San Francisco’s obsession with water following the 1906 great earthquake and the subsequent fire — but in retrospect this was a monumental offense to the purpose and goals of our great national parks. The Hetch Hetchy Valley had virtually everything that its more southerly neighbor has and which astound people from all over the world — towering cliffs, beautiful domes, forest and meadow along a great river on the valley floor, tall waterfalls. After years of absence from this prostituted place, I returned a year or two ago on an afternoon when I was heading home from the Sierra… and I felt only anger and disgust at the the damned dam.

But here, miles upstream, the Grand Canyon of the Tuolumne River is still a wilderness, protected from overcrowding by tall and steep walls and a narrow gorge. In the late afternoon I walked a ridge near the edge of the canyon and looked west into the maze of successive ridges that separate creeks that feed the river and made this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake
“Shoreline Boulder and Meadow, Subalpine Lake” — Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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All media © Copyright G Dan Mitchell and others.

Favorite Time in the Range of Light (Morning Musings 8/31/14)

Thoughts about seasonal light in the Range of Light…

Sunset, Lower McCabe Lake, Shepherds Crest, and Virginia Canyon - Afternoon storm clouds clear from the sunset sky above Lower McCabe Lake, Shepherds Crest, and Virginia Canyon, Yosemite National Park.
Sunset, Lower McCabe Lake

It is no secret that I can find something to love about every season in the Sierra Nevada — the storms and snow of winter, the wildly flowing water and new growth of spring, and the lazy days of summer that bring easy access to the high country. But if I had to pick one perfect day in the Sierra high country it would be in fall.

This ideal day would come some time between the middle of September and the middle of October, when it becomes increasingly clear that summer really is ending and that winter really is on its way. This is not a wild season — no giant winter storms, no raging rivers and waterfalls, no spectacular growth and colorful fields of wildflowers. It is a quieter time. The crowds are almost all gone, and the people you do meet there are more likely to be those with a deeper relationship with this range.

The light is beautiful — perhaps as beautiful as it gets — and perhaps even more precious because it doesn’t last as long on these shortening days of the late season. The sun is lower in the sky and less intense, and there is often a muted, golden quality to the light, amplified by the golden colors of dry meadows, the beginning of fall colors, and softened by seasonal haze. And it is all the more sweet because we know that winter is just around the corner and that these days will end very soon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.