Tag Archives: Mountain

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Cascade, Boulders

June 1, 2014 G Dan Mitchell Leave a comment

A seasonal waterfall cascades past granite boulders, Yosemite National Park

I guess I’ll go ahead and make this a “waterfall weekend” by posting a second photograph of the same little cascading creek that was featured in yesterday’s photograph. This small beauty is a seasonal cascade that is right next to the roadway—I’m definitely not taking any “wilderness photography” credit for this one. (Though the character if the creek is very similar to and remiss me of many such rocky creeks found in less accessible locations.) As is the case with some many such small creeks, this one comes and goes quickly in most years. It does not necessarily dry up completely, but it often diminishes to an unimpressive trickle later on.

Although the accessible location makes photographing this fall easy, there are still a few challenges. Perhaps the most mundane is that, given that one is photographing from the shoulder of a highway, you have to watch out for passing vehicles! From a photographic perspective there are a few more interesting challenges. One is that of composition. This section of the waterfall is some distance above the camera position, and there are only a few clean shots of it. I wanted some of the curving and flowing shapes at the top along with the faster moving, and hence narrower, section at the bottom, and I wanted to include the blocky, wet, and reflective rocks. The light is a bit tricky here, too. Fortunately, the cascade remains in shadow well after sunrise, but the best light seems to come at just about the moment when the sun starts to rise above the ridge behind the fall. Consequently, though it isn’t visible in this tightly cropped composition, I was shooting almost straight into the sun!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Pacific Coast Highway, Clearing Fog

May 30, 2014 G Dan Mitchell Leave a comment

Morning fog clears above Rocky Point along the Pacific Coast Highway near Big Sur, California

I spent a good part of this beautiful spring day photographing along the upper half of California’ Big Sur coastline along the Pacific Coast Highway. On this potentially (and ultimately!) very busy holiday, I made a point of arriving early, since this area is so popular, especially on a day like this one when it was mostly sunny but with just enough fog to make it picturesque.

This photograph includes the area around Rocky Point which, while not being the main iconic view in this spot perhaps does come close to having that distinction. From the small arch in the foreground to the curving coast and seas stacks to the taller coastal mountains, the scene has many of the features that define this coastline. The fog was trying valiantly to maintain itself—driving into it the temperature dropped by many degrees and the wind whipped up—but the sun was winning.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Mountains, Sea, and Haze

May 28, 2014 G Dan Mitchell Leave a comment

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Panamint Mountains, Spring

May 8, 2014 G Dan Mitchell 2 Comments

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell Photography

Tag Archives: Mountain

Cascade, Boulders

Pacific Coast Highway, Clearing Fog

Mountains, Sea, and Haze

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.