Tag Archives: Mountain

Winter Meadow, Forest

Winter Meadow, Forest
Winter Meadow, Forest

Winter Meadow, Forest. Yosemite National Park, California. March 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Forest and snow-topped cliffs above a winter meadow, Yosemite Valley

During this distressingly dry season in California, our three-day visit to Yosemite Valley in early March was a welcome relief. It was raining when we arrived, and it remained cloudy and wet for the entire period, with breaks in the rain but not the clouds. We were there for the opening of the Yosemite Renaissance XXIX exhibit, which continues in the Visitor Center Gallery through early March. (Stop in and take a look if you make it to the Valley. This is a wonderful annual juried show of art related to Yosemite and the Sierra. And, yes, one of my prints is there.)

The scene here is a popular and well-known Cook’s Meadow. As is normal in the winter, the grasses that are so green in spring and early summer have gone dormant, as have most of the other plants in the meadow itself. This is such a familiar scene—though always a beautiful one—that I most often would not stop to photograph. However, among the brown tones the one spots of bright red among the foreground brush caught my attention, and the light had a warm and glowing quality that was special. The light falling on the forest was very soft, filtered though thin clouds above and to the east, and snow from the passing storm covered the upper reaches of the cliff walls around the Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Granite Face, New Snow

Granite Face, New Snow
Granite Face, New Snow

Granite Face, New Snow. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

New snow on ledges and trees at the base of the face of Half Dome

This photograph was made the morning after a Sierra winter storm had coated the high country of the Yosemite Sierra with a fresh coat of snow. The snow did not quite make it all the way down to the bottom of Yosemite Valley, but it covered most of the slopes, fissures, and trees of the walls and peaks around the Valley.

I don’t often photograph Half Dome—I can go days in the Valley without doing so at times—but I did photograph it a few times on this trip. At one point I photographed it wreathed in moving clouds and fog, barely visible. Here I photographed the famous face of the mountain, though I wanted to focus on the combination of new snow and small trees dwarfed by the giant and nearly smooth granite face, and to capture something of the cold, hard feeling of this winter view.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Panamint Mountains

Clearing Storm, Panamint Mountains
Clearing Storm, Panamint Mountains

Clearing Storm, Panamint Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The remnant clouds of a spring storm clear over the snow-dusted peaks of the Panamint Mountains, Death Valley National Park

This was one of the most interesting and varied days I’ve spent in Death Valley, in terms of everything from the weather to photographic subjects. (It probably wasn’t the most varied day—that might be a story for another post sometime.) As is typical, the day began well before dawn with an early wake-up call and a long drive in the dark. In this case, the objective was to be at a high place with a panoramic view before sunrise. We arrived there in the early pre-dawn light to find that clouds were moving in. There was a brief moment of photographable sunrise light, and then the scene went relatively gray, though still with some interesting possibilities. As we left this spot we saw snow flurries on the peaks around us. We then photographed some old remnants of the mining activities in these mountains as the snow increased, at one point coming down fast enough that we decided to beat a retreat to a lower elevation. Intermittently things would clear a bit, and we took advantage of the soft light to make midday photographs of the abundant spring wildflowers.

Eventually the weather began to break up a bit and we had some sun. By this time in the afternoon what had been more or less universal cloudiness and snow in these mountains had transformed into scattered cells of precipitation, but mostly into beautiful blue sky interrupted by billowing, sunlit clouds, whose shadows raced across the high desert landscape. Here, as we returned from investigating what was at the end of a gravel back-country road and were about to return to the paved highway, we stopped to take one last look back towards the higher peaks of the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

An Informal (and Surprising!) Death Valley Wildflower Report

Gilia Buds
Gilia Buds

Gilia Buds. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Gilia buds opening on a rainy day, Death Valley National Park

This is going to be a sort of hybrid post, covering two subjects and out of phase with my normal daily photograph posts. Think of it as a bonus post—a photograph and an informal report on Death Valley National Park wildflowers. The description of this photograph follows the report on Death Valley wildflower conditions.

Wildflower Conditions

By now it is no longer news that California and other parts of the west are in the throes of a very serious drought. The situation is especially serious in California, which is now experiencing the worst in a series of three below-normal precipitation years. Many parts of the state are experiencing what have been described as historic drought conditions. The situation remains critical—and many of us are worried about the upcoming wildfire season—though recent March and early April rains brought a bit of relief.

All spring I have been hearing that the drought would make this a poor year for desert wildflowers in Death Valley. However, I knew that Death Valley had experienced some rain events in the past few months and that desert plants are quite opportunistic, often quickly blooming in response to moisture. I know Death Valley fairly well, though I’m no expert on wildflowers. However, I had a hunch that we might be surprised by how the wildflower season would play out.

We visited the park for several days right around the beginning of April. Even before we arrived, we saw a decent number of wildflowers as we drove across other desert areas on the way to the park. It seemed like plants were acting in the opportunistic manner I describe above and quickly sprouting up and blooming in response to recent rains. As we entered the park and crossed Towne Pass we (especially my wife, who is passionate about photographing the “small things”) began to notice a lot of wildflowers in many places, including whole beds of colorful flowers in many places along this drive. While we did not see the tremendous blooms on the Valley floor that can occasionally occur, once we got up into higher country we saw flowers everywhere, at least when we slowed down and looked. There was more rain and snow during our visit, and the additional moisture is bound to encourage other plants and flowers to grow.

I just saw a report at the Desert USA website (which names the flowers in ways that I cannot hope to do) confirming what we saw—that there is actually a substantial bloom of desert wildflowers in many places. If you have the opportunity to head out that way soon, do so!

About the Photograph

Believe it or not, it was snowing lightly when I made this photograph! We began our day by driving on gravel roads before sunrise to reach a high location in the Panamint Range from which we planned to photograph at sunrise. The sunrise photography turned out to be a challenge, as it was cloudy at first light and the clouds only increased as the sunrise progressed. Soon we began to notice snow falling on nearby peaks, though it did not fall where we were until after we moved on. Later, in a less exposed location but with temperatures in the low thirties, we encountered our first very light snowfall, and we could see that it was snowing more heavily on the peaks and ridges around us.

We moved on, heading up into Wildrose Canyon. My original plan had been to drive to the end of the road, but by the time we reached the Charcoal Kilns it was snowing hard enough that this no longer seemed like a great idea. In fact, other drivers with two-wheel drive vehicles were having problems ascending the last section of the road to the kilns. We photographed the snowy conditions here and back in Wildrose Canyon, and then as the snow abated a bit we drove on, heading back in the direction of Emigrant Pass. Not far from the pass we found a hillside covered with a spectacular display of flowers. At first it was some cacti that caught our attention, but as we got out and looked around we saw many, many flowers all around. These gilia buds had not yet opened into their more showy display.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.