“Trees and Sandstone Cliffs” — Trees near the base of sandstone cliffs, Zion Canyon.
There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.
I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.
“Cathedral Range” — The distant Cathedral Range rises above Yosemite high country forests and meadows under evening clouds.
This was the scene late in the day during my early July visit to the High Sierra near Tuolumne Meadows and just east of Yosemite National Park. In the right light, this can be my favorite time of day — the sun Is nearing the horizon and the light is softening and turning golden, and shadows stretch across the landscape. I made the photograph next to a high country meadow that opens to a view of the distant Cathedral Range.
The Cathedral Range has a unique personality. It is not on the Sierra Crest, but instead runs more or less northwest to southeast between the the Tuolumne and Merced Rivers. It rises from mostly forested country to culminate in open granite terrain, with some summits that escaped glaciation and are rugged and steep.
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“Utah Aspen Grove” — An extensive forest of tall Utah aspen trees with autumn foliage.
This is another of those photographs from a distinctly non-iconic location. Once again, while driving a main route I spotted a little gravel road heading off in the general direction of a shallow valley filled with aspens. Being of a mind to explore, turned off and followed it into large groves of tall, colorful autumn aspen trees.
This scene illustrates something I have mentioned before: the California aspens in the Sierra Nevada are much different from what you see in the Southwest and any other places. I’m used to smaller groves and smaller trees, often growing so densely that it is hard to walk among them. But these trees grow tall and remarkably straight, and are spaced widely enough to allow plenty of light on the forest floor.
“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.
Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)
In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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