Tag Archives: nature

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sky, Mountains, and Wash

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Sky, Mountains, and Wash
A dry wash, barren mountians, and morning desert sky.

Sky, Mountains, and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, barren mountians, and morning desert sky.

One of the things I always think about in desert landscapes is water. Not for the reason your are probably thinking — that it is because there is no water or that I’m thirsty because it is hot and dry. In fact, the reason is that evidence of water is almost everywhere in these dry places. This is one of the great ironies of desert terrain — it is so affected by the power of water and that effect is more visible because the landscape is barren and dry.

Consider this scene. There is almost nothing in it that doesn’t reflect the power of water. The foreground wash, while dry at the time of the photograph, is covered with patterns created by flowing water. Beyond, the low hills are smoothed by water and incised with gullies made by flowing water. Although those far mountains rose because of forces that are not directly about water, the shapes of the peaks and ridges are the result of, yet again, water. And in the sky we have clouds — more water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

StRata, Morning Light

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Stata, Morning Light
Early morning light on eroded strata with contrasting colors, Death Valley National Park.

Strata, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light on eroded strata with contrasting colors, Death Valley National Park.

This photograph is an example of the transitory nature of light — and how this factor puts the lie to the notion that landscape photography is something always done slowly, at leisure. That is sometimes possible, but more often the most interesting light is fleeting, there only for an instant and sometimes passing its peak before you realize it. Here the layers of colorful strata are in a small canyon, and the light is blocked early in the morning by hills on the other side, behind the camera position. Once the light does arrive, the shadows move down the landscape quickly, and the interval when the light is ideal is brief.

This photograph is also an example of finding balance between an “objective capture” of the scene, a photographic representation of “what it looked like to me,” and something extreme or even fantastical. You have perhaps seen other photographs of these colorful strata, with shades of red, yellow, blue, green and more. Such colors are striking, but they are often quite subtle. In flat or harsh light they are less intense than what you see here. Even in great light and with the kinds of post-processing that I do, the colors are still not exactly intense. I think this subtlety is part of the beauty of these features, and this is lost when the photographer pushes things too far.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

The Visitor

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The Visitor
An anomalous white rock rests against dark rock deep in a Death Valley canyon.

The Visitor. © Copyright 2019 G Dan Mitchell – all rights reserved.

An anomalous white rock rests against dark rock deep in a Death Valley canyon.

Desert canyons, especially in an arid place like Death Valley, are refuges from the harsh environment. Not that they are entirely gentle and friendly places, being periodically scoured out by floods and left covered in rocks. But they offer shade, sometimes sources of moisture, and occasional plants. The deepest and narrowest are quiet and still places.

They are transitory landscapes, on time scales that range from annual to much longer. Cut through by flowing water and weaknesses in the rock, they reveal strata from long ago. That flowing water inexorably moves material down from the peaks toward the playa, and almost anything we come across in such canyons will only be there temporarily. I don’t know enough geology to offer too many facts about this rock, but its light color against the surrounding dark rock was striking, as was its upright position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dry Wash, Morning

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Dry Wash, Morning
A dry wash, eroded hills, and dramatic sky.

Dry Wash, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, eroded hills, and dramatic sky.

This dry wash leads off into barren (though colorful and fascinating) desert hills. I was here early one morning during a 2019 visit to Death Valley National Park. I spent a few quiet hours working my way though a nearby canyon, making photographs, and I stopped here for a bit to investigate this dry wash that seemed as if it might have been wet in the not-too-distant past.

Washes like this one are fascinating places. In a world where we often feel that we should stick to the trail and follow the established route, they invite us to improvise our way into the landscape. Walking up such a wash, it is impossible to find anything resembling a trail. While you may you may have a general direction in mind, the immediate route deviates around rocks, heads toward an interesting plant, ducks into shade, stops at a colorful rock, and goes just about anywhere else that your feet and thoughts might lead you.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.