Tag Archives: nature

Early Autumn Aspen Grove

Early Autumn Aspen Grove
A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Early Autumn Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Over the past decade or so the fall color change in the Eastern Sierra Nevada has come to attract a lot of attention. It is not unwarranted, as the aspen color throughout the range can be quite spectacular. It is also pretty accessible, and as the state’s population has continued to increase and as social media has spread the word faster and more widely… some areas have become quite crowded and even overrun for a few weeks each year. A few well-known locations have become some famous that they literally attract mobs of photographers and others. I won’t name them here — they get enough attention already. (I sometimes wonder how much blame I share as the author of a book on this event — though my publisher went along with my vow to drastically limit naming places that can’t handle the traffic.)

Despite the crowds, I hinted at the good new in the first paragraph of this post when I wrote, “throughout the range.” Often folks head straight toward the Big Name locations (as is natural) and drive right past a whole bunch of other wonderful instances of fall color. Over the years, some of my favorite aspen trees have been in places that are distinctly non-iconic. There are many things to like about this development. It means that I have subjects everywhere! I frequently find myself alone while photographing these locations. And over time I’ve developed my own little collection of place with personal meaning. This photograph comes from such a place, a grove that I had literally driven past for years before I finally stopped one day to make photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees on Sandstone Cliff

Trees on Sandstone Cliff
A row of coniferous trees ascends a steep gully on a sandstone cliff face.

Trees on Sandstone Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

A row of coniferous trees ascends a steep gully on a sandstone cliff face.

There is something compelling about individual or small groups of trees growing in unlikely places. It is hard to precisely describe why this is, but my friend Charles Cramer has referred to photographs of them as “brave little tree” images. (I don’t know if Charlie coined the term, but he’s the first person I heard use it.) Perhaps there is something metaphorical about these trees stand in such places, where they are tall and straight like these examples or twisted and stunted by their stark environment. Whatever the reason, I know I’m not the only person attracted to them.

This group of conifers grows high up on a sandstone cliff in Zion National Park, improbably forming a very tine forest in a very difficult place. Such trees, viewed up close, often seem to thrive on almost nothing at all, putting roots down in little more than cracks in the rock. This group rises from a cluster of smaller shrubs and trees to a few larger trees in the widest part of the ledge, and then the trees continue upwards, diminishing in size.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Junipers, Sierra Crest Before Sunrise

Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.