Tag Archives: new york

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Criminal Courts Building

Image December 29, 2021 G Dan Mitchell Leave a comment

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: New York City, Photographs: Urban/Street

Trees at Twilight, Lower Manhattan

Image December 26, 2021 G Dan Mitchell Leave a comment

Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan.

At about this time two years ago, near the end of the Before Times, we were in New York City for the holidays. It was a trip much like previous visits there — we mingled in gigantic crowds, walked almost everywhere, occasionally froze in very un-California weather, ate in packed restaurants, and did pretty much all of the things one does in a busy, crowded, and intense place like New York. Although we had no idea at the time — the first news of the oncoming pandemic had still not arrived — this would be the last big trip like this for years.

I mentioned above that we walk a lot in Manhattan. Those who don’t know the place are, it seems, often surprised to find that almost everyone there walks, residents and visitors alike. Certainly part of the reason is that it is not a friendly place to drivers. But it also really is a friendly place to walkers, despite what you might think. We always wander around on foot a lot when we visit, and even in winter we’ll sometimes walk long distances. This was one of those days. We started in more or less Midtown and then headed south all the way to Lower Manhattan below the City Hall area, where we met family members. Close to our destination we passed this scene at a subway entrance near City Hall as the day was ending and evening lights were appearing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Shadow and Wall

Image September 20, 2021 G Dan Mitchell Leave a comment

One evening in Manhattan, we were out for a walk along the high Line Park. As always, I was carrying a camera. (Yes, I think I drive my family crazy that way.) I’ve been there a number of times, and I’m usually intrigued by the buildings that line this park — their textures, their windows and rooftops, the glimpses of what goes on in them as the life of the park moves past. I think I was trying to think of a way to photograph the texture of this concrete wall when I came upon this bit of light coming across the walkway and casting shadows.

It is hard to recall too many more specifics of the scene, though I have a series of perhaps a half dozen or more photographs, made as various people moved through the lower part of the scene or, more accurately, their vague shadows moved through the scene. When people ask what sort of camera I carry to places like this, my answer is that it is usually a small camera equipped with small prime lenses. This photograph perhaps illustrates why that is. I can always have such a camera with me, I can use it quickly and without much fuss, and it even works in very low light.

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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

People Standing By Window

Image September 17, 2021 G Dan Mitchell Leave a comment

Two people stand against a dark wall next to a window, Museum of Modern Art.

This photograph comes from a Manhattan visit a few years back. We usually are there for at least a week each year — though we have not been back since before the start of the pandemic. We miss the place! We have some traditions when it comes to these visits. One is to indulge me in a lot of “museum time.” (The amount of time I’m willing to spend in such places occasionally makes me the butt of family jokes.) We visited the Museum of Modern Art on this visit, and the photograph comes from there.

I’m often a bit surprised — though by how you’d think I would not be — by how interesting I find museums as photographic spaces. They are full of interesting and sometimes unusual architecture, and they are often designed to incorporate a lot of investing lighting, especially natural lighting. In many cases there is some sort of central atrium or similar that creates a tall, vertical open area… and that provides some wild and off-kilter angles of subjects that would look quite different if photographed on their own level. Here a pair of people stands at the base of a stairway, positioned in the angle between a nearly-black wall and a window.