Tag Archives: new

A Little Story About Posting Daily Photographs

First, why the heck do I post a new photograph every day?! I have been doing this now for more than five  years, believe it or not. (I don’t know for certain when I started, but by dividing the number of photographs in my online gallery by 365, it looks like it may have been almost seven years now!) I have no illusions that it is possible for me to post something close to an incredible photograph 365 times each year, so for this purpose I’ll settle for merely credible! One impetus for this project probably comes from my background in music, where practice is regarded as central to developing and maintaining the ability to function artistically – and a goal is to do the thing so regularly and so often that the doing becomes almost intuitive and the technical stuff becomes less and less daunting – though it never quite disappears. So my daily photographs are essentially the part of my “practice” that I’ve chosen to make public.

Since I’m almost continually producing new photographs – continuing down familiar paths and trying to improve the results or trying things that are new to me – I generate a lot of photographs. My primary goal is to line them up for posting at the blog on that new-photo-per-day basis. I often have at least some photographs ready to go and queued up for posting well ahead of time.

Typically, I might have a week’s worth or so in the pipeline, though there is some variation. On a few occasions I have had nothing ready and I actually had to go out and make a photograph for posting on the day it was posted! On other occasions I’ve had a much bigger line-up of photos ready to go. (Right now my “problem” is that I have too many in the pipeline! I’ve already selected and lined up photographs through the end of March! This makes it hard to post work that I’m doing right now that I would like to share. For example, I have more work from a recent shoot at Point Lobos, some long-exposure work from early January,  and there are still photographs from my extensive photography in Utah last fall. (I’m also working on a long term project to photograph musicians, and none of that work has appeared here yet.)

When a new photograph is ready, it becomes part of a “sharing workflow” that accomplishes the following:

  1. I queue the photograph up at my blog, scheduling its appearance there weeks or even months in advance. I write the descriptive text at the time I put the image in the queue.
  2. Out of habit, I also post the image to my old Flickr account as part of the process to queue it at my blog. (Hint: you can often see my photographs at Flickr before they show up elsewhere, since I have no way to delay the posting there.)
  3. On the day when the photo finally shows up at my blog, I do a quick bit of copying and pasting to create the daily posts at Facebook and Google Plus. The Facebook posts are rather minimal, usually containing little more than the image and the title and basic description, along with a link to the blog. I incorporate more information with the Google Plus posts, including an excerpt from the full post at my blog along with a link back to the blog post. A blog plugin also automatically shares a message on Twitter and a very brief one at Facebook.
  4. From time to time I may also share some photographs at 500px or Pinterest, though that is not a regular part of my workflow.

There are a few variations on this process. At times I’m in places where I simply cannot go online and post – perhaps I’m backpacking or just too busy. When this happens, Facebook may only show the tiny thumbnail image that is automatically posted from the blog, and I may have to forego the usual larger image. I can use a Chrome browser plugin to pre-schedule new Google Plus posts on those days.

Sometimes people wonder how it is possible to find time to do all of this and whether it is worthwhile. The first question is easier to answer. At this point, I have the whole process simplified to the point that it actually takes me very little time. The second question is a bit trickier, but on balance it is worthwhile – though there are days when I think about how it might be a bit easier to simply not post every day… but then I do it anyway! :-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn, New Years Day 2013

Dawn, New Years Day 2013
Dawn, New Years Day 2013

Dawn, New Years Day 2013. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light above a San Joaquin Valley marsh on New Years Day, 2013

I didn’t manage to post a real New Years Day photo on New Years Day this year… since I was out and about well before dawn on that morning, thinking that it would be even more fun to greet the new year in the field than to just share a post about it! We were staying in the Sierra foothills and had enjoyed a wonderful New Years eve with friends in the area the evening before. Although we had planned to “call it a night” soon enough to turn in early in anticipation for a pre-5:00 a.m. wake-up call, it was after midnight when we finally got to bed.

We were up at 4:45 – yes, on New Years Day! – and out the door shortly after 5:15, and on our way out into the San Joaquin Valley, where a small group of us assembled at about 6:30 in the darkness. After sleepy “Happy New Year!” wishes we headed off into the first pre-dawn light to look for geese and cranes and other critters. Within a few minutes I stopped along the levee road by these trees to make my first real photograph of the new year as the first light began to turn high clouds over the Sierra a beautiful shade of pink.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon 6D Body In Stock at B&H

A brief update: For those who have been waiting for the new Canon EOS 6D full frame DSLR, I just was notified that the body-only version of the 6D is now in stock at site-sponsor B&H Photo. The price includes a Lowepre Rezo 170 shoulder bag, a 32GB memory card, and is eligible for a B&H “2% reward” program.

(During the first days when new bodies become available, stock frequently runs out, only to be replenished later on, so act quickly or be comfortable with a possible wait.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon 6D is Arriving – With Price Reductions

Shortly after releasing the Canon EOS 5D Mark III (and the Canon EOS-1DX and assorted other goodies), Canon announced a forthcoming less-expensive full-frame DSLR, the EOS 6D, a 20+ MP with a range of attractive features and a price barely above $2000. Right now site-sponsor B&H is offering a $200 “instant savings” on the Canon EOS 6D Digital Camera with Canon 24-105mm f/4.0L IS Lens bundle that lowers the cost of the lens and camera to only $2,699. The product is also eligible for the B&H “2% reward” – read more about that at the link.

Where does the 6D fit into the Canon eco-system? I think that for many people looking for a first full-frame body, and for many whose primary consideration is purely image quality, the 6D is going to hit the sweet spot. A 20 MP full frame image, assuming you shoot with skill and understand how to post-process, can produce an outstanding print in sizes much larger than the typical user will ever produce. There is every reason to think that the image quality produced by this camera will be essentially indistinguishable from that produced by the fine Canon EOS 5D Mark III. I have not used the camera, but from many reports I have read from those who have had their hands on a copy, it sounds like it will be a fine performer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.