Tag Archives: north

Morning, Caffe Trieste

Morning, Caffe Trieste
Patrons in line for coffee at Caffe Trieste, San Francisco.

Morning, Caffe Trieste. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patrons in line for coffee at Caffe Trieste, San Francisco.

Last week I spend considerable time in San Francisco’s North Beach neighborhood. I’m a member of Studio Nocturne a group of night photographers (descended from “The Nocturnes”) who have been photographing and exhibiting together for decades. Every fall we do an “open studio” as part of The City’s Artspan Open Studio event. This year we were in the Live Worms Gallery on Grant in North Beach. We’ve been in various locations over the years, and I think this may have been one of the best spots we’ve used — lots of foot traffic, lots of places nearby to eat and drink, great atmosphere. (Terrible parking though!)

Each day I arrived an hour or so before we opened, and on the last day, Sunday, I headed a half block up Grant to this famous espresso shop. You might not know it if you just dropped in on a Sunday morning, like I did, but this is a somewhat historic location in San Francisco. In addition to being a meeting place for all sorts of interesting folks for years, it was the first espresso bar on the West Coast.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees, Rocky Ridge, Sunset

Trees, Rocky Ridge, Sunset
Wildfire smoke turns the sunset deep red on a rock and tree covered Yosemite wilderness ridge.

Trees, Rocky Ridge, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Wildfire smoke turns the sunset deep red on a rock and tree covered Yosemite wilderness ridge.

Every so often the sky coughs up some light that is almost unbelievable, and I feel obligated to say that, yes, this really did happen… and perhaps offer an explanation. In this case the story is a combination of location Every so often the sky coughs up some unbelievable light, and I feel obligated to say that, yes, this really did happen… and perhaps offer an explanation. In this case the story is a combination of location and conditions. This granite dome-like ridge is located in the Yosemite backcountry overlooking a large canyon and with an unobstructed view to the western horizon. That distant horizon is across the Great Central Valley and marked by the Coast Range. Because the ridge is high the line to the sun right at sunset goes though a lot of atmosphere, which tends to soften and warm the light. On top of that, this was the season of widespread wildfire smoke, and that added to the bloody red color of the light on this ridge.

I had been out on an evening walk away from camp that took me up to a high point on the ridge behind this camera position. I made photographs up there and then started to walk along the backbone of the ridge that would take me back to camp. As I came around to this section that is open to the west, the color of the light was just about as intense as it gets. I dropped my camera bag, popped up my tripod, and made a few exposures during the last moments before the sun dropped below the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Summit Boulders and Tree, Sunset

Summit Boulders and Tree, Sunset
Sunset light on the summit of a Yosemite granite dome on a hazy late-summer evening.

Summit Boulders and Tree, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset light on the summit of a Yosemite granite dome on a hazy late-summer evening.

Even back before the recent increase in California wildfires, smoke haze was common during the later summer and early autumn months in the Sierra Nevada and, for that matter, over much of the state. For years I noticed that something was different about the atmosphere in September, and it wasn’t until relatively recently that I realized that the hazy softness in the September sky is, at least in part, due to widespread smoke. To be sure, most of the time it this haze is subtle. And, it can also be beautiful in the right situation. On this evening, it softened and warmed the light just before sunset.

We had been camped in this area for several days, and on this evening I took a long and slow walk with my camera. I headed around the far side of the lake that was next to our camp, gradually working my way toward a high point beyond that overlooks one of the great canyons of the Yosemite backcountry. On this summit I found a few glacial erratics and one small tree hiding in their shadow. I paused to make this photograph, then continued on along the spine of the low peak to descend back towards camp on the other side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Islands, Wilderness Lake

Islands, Wilderness Lake
Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

Islands, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

This photograph is almost a companion to the photograph I shared yesterday — same lake, same morning, similar subject, different trees, and islands instead of a peninsula this time. Once again, though, the trees on the islands and ascending the granite slopes beyond are illuminated by beautiful morning Sierra Nevada back light. To those familiar with the Sierra, this scene likely speaks of many things, but perhaps two in particular. First, is the nature of the forest — different from in many other locations, largely due to its generally more open character. (Some have proposed that the “Range of Light” name may be partially on account of this aspect of the Sierra experience.) Second, and perhaps a bit less obvious at first glance, is the evidence of glaciation. This lake was almost certainly scooped out by those forces, and the dome-like slopes beyond also suggest glacial sculpting.

As I have mentioned as recently as my previous post, I love photographing Sierra subjects — especially trees — in backlight, especially if a there is a bit of haze to produce a sense of distance between foreground and back ground and a bit of “glow” in the atmosphere. This kind of light can extend the hours for photography since it often works even when the early and late golden hour light is not present.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.