Tag Archives: north

21 Choices

21 Choices
A Pasadena street corner on a winter afternoon

21 Choices. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A Pasadena street corner on a winter afternoon

To some extent, although I’ll write a bit about it, this is one of those photographs that you’ll need to sort out for yourself. It may seem like a snapshot, or it may seem like something else, or it might seem like both.

Just after New Years Day we went to Southern California for a few days, driving down the Coast Highway (before the winter storms closed it) and then visiting areas at the northern and southern ends of the Los Angeles Basin. We stayed in Pasadena, a place I hadn’t visited for a while and one that I don’t know all that well, aside from the typical Californian’s knowledge of a place that comes from driving past on freeways. Because we had some unscheduled time we ended up wandering in downtown Pasadena a bit, and I had time to begin to get a bit of a feeling for the place, at least as it is in mid-winter light of the sort in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Oak, Cliff

Winter Oak, Cliff
A dormant winter oak in back-light, against the backdrop of granite Yosemite cliff

Winter Oak, Cliff. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A dormant winter oak in back-light, against the backdrop of granite Yosemite cliff

Near the end of February I spent a few days in and around Yosemite Valley. I scheduled my visit to coincide with the opening reception of the 2017 Yosemite Renaissance exhibit at the Yosemite Visitor Center Museum Gallery. The annual show features work by artists focusing on Yosemite and the Sierra, including almost every medium imaginable — and one of my photographs was in the show this year.

Almost any visit to Yosemite Valley calls for photography, so I arranged my schedule to be there for three days. While I hiked a lot on some days, on this day I hopped in my vehicle and headed down the Valley to visit various areas including El Capitan Meadow with its beautiful winter-bare trees and the backdrop of huge cliffs. The face of Sentinel Rocks, almost always in shade at this time of year, rises behind this single back-lit dormant oak tree.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Brush, Morning Light

Dense Brush, Morning Light
Morning light falls on dense brush at Pinnacles National Park

Dense Brush, Morning Light. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light falls on dense brush at Pinnacles National Park

Today’s photograph is another from my recent re-introduction to Pinnacles National Park in the mountains to the east of California’s Salinas Valley, following a gap of decades since my last visit. Despite being a place that I regularly visited when I was much younger — back then I rode a bike there to camp, went there to rock climb, hiked the trails and caves — it had somehow slipped off my map of places to visit. For the past few years, since its conversion from National Monument to National Park status, I’ve been planning to finally return.

If your experience with National Parks is mainly with the big, iconic parks such as Yosemite or Yellowstone, this park is going to surprise you with its intimacy. It is a relatively small place, and even its primary visual feature, the High Peaks, doesn’t present a single, focused identifying image in the way that, say, Half Dome or Old Faithful do. It seems more the sort of park that is about subtle and small things and the overall experience of the place — mostly California chaparral terrain that can evoke a sense of near desert at times. I made this photograph earlier in the morning when I paused along a route through a canyon when I came upon dense, back-lit foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees and Stone

Trees and Stone
Trees, a boulder, cliffs and towers — Pinnacles National Park

Trees and Stone. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Trees, a boulder, cliffs and towers — Pinnacles National Park

Visiting Pinnacles National Monument last week presented me with an unusual experience. Typically I photograph in two kinds of places. To simplify a bit, one sort is the places that I have photographed repeatedly over long periods of time, and which I have gotten to know intimately. The other type would be places that I don’t know at all, and which I come to with an almost “blank slate,” discovering their character directly as I encounter them. “The Pinnacles,” as I’ve referred to the place for years, doesn’t quite fit into either category. When I was much younger I frequently visited the place, starting with my parents when I was quite young and continuing into my twenties when I was a rock climber. So some memories and sensations from the place a deeply embedded in my memory and experience. But they I stopped going there and has been decades since I was last there.

With that in mind, it is no surprise that my first visit included quite a few “I remember this!” moments, combined with about as many “This is new!” moments. We mostly visited the east side when I was young, but this time I arrived from the west. I had hiked the high peaks trail, and even climbed some of its pinnacles, but I was surprised to (re)discover just how narrow, steep and exposed it is. So my approach to the place was a combination of working with what I know and discovering what was new. In the end it felt like I was sort of “feeling my way” back into familiarity with the place. I could not yet quite see how to photograph some seemingly obvious subjects, such as the high peaks area, so I focused on many non-iconic subjects, such as the scene of gray and red rocks and trees in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.