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2013 Favorite Photographs

“With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.” – Ansel Adams

I have compiled annual “favorites” collections for almost ten years. Each year I think this will just be an exercise in selecting photographs, and each year I rediscover that it is more than that – an opportunity to reflect on growth and new ways of looking at the world, a chance to think forward about what is yet to come, a time to recall a year of places and experiences and friendships.

It is a hard to distill a year’s work down to a few photographs, and I’m afraid that I can’t reduce the number to the extent that some can. This year I have – painfully! – gotten it down to 18 images, which is perhaps still too many. But it is 25% fewer than the 24 I shared last year! (Adams also said, “Twelve significant photographs in any one year is a good crop.” So feel free to regard up to a half dozen of these as being insignificant! ;-)

Many things affected my final selection. High on the list is how others – including many of you – responded to my photographs. I often say that the photographer is the person least able to objectively view and understand his/her own work, and I value the feedback and response that you share with me. On the other hand, I like to include some photographs that get less attention because I believe in them. I also include examples from my diverse range of subjects – people, wildlife, landscape, cityscape and street, night photography.

Speaking of a range of subjects, this was a year of interesting and diverse photographic adventures. Some were familiar – visits to Death Valley, the nearby Pacific Coast, the streets of San Francisco, familiar Sierra locations, and more. Others reflect more recent interests, such the migratory birds of California’s Great Central Valley. I spent more than a week camped in a remote Sierra Nevada location with photographer friends, becoming deeply familiar with the details of that particular landscape. I traveled to urban destinations: New York City, London, Germany, Austria. I continued work on my long-term project to photograph classical musicians.

But, enough introduction. In no particular order, though grouped according to subject, here are some of my favorite photographs of 2013. For those who want to know more, I have included links to the original posts of the images, where you may read more background – click the images themselves or the “original post” links.

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Coastal California

I am very fortunate to live relatively close to a huge range of photographic subjects. One of the closest and most impressive is the Pacific Ocean coastline of California, and it is near enough that I can head over there for a morning or an evening when the conditions seem promising.

Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013.

Evening light and fog along the Pacific coast north of Santa Cruz, California. (Original post)

Living less than an hour from the Pacific coastline south of San Francisco, I have the good fortune of being able to shoot there often, and I have come to know some sections of this coastline very well. On this summer evening I was cruising up the coast looking for subjects when I passed this familiar location, one that I had passed many times without stopping due to the scarcity of places to pull over on this narrow highway. The hazy fog, the warm evening light, and the curving surf line got my attention and this time I stopped, put a long lens on the camera, and made this exposure while standing far too close to the passing traffic.

Continue reading 2013 Favorite Photographs

Break Time, Savoy Hill

Break Time, Savoy Hill
Break Time, Savoy Hill

Break Time, Savoy Hill. London, England. July 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Hotel workers taking a cigarette break in the alley, Savoy Hill, City of Westminster, London

Very near this little alley is a large and famous hotel. We come up to this spot from the back way, so we did not see the typical hustle and bustle of the hotel entrance, instead just looking up a very nearly deserted side street to see a few employees on break, apparently having a smoke, We walked into this area and discovered a beautiful church hidden away on a corner to the right and out of the frame. After stopping to visit there, we continued our wandering and soon crossed in front of the hotel where these folks apparently work.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turret Skylight, SFMOMA

Turret Skylight, SFMOMA
Turret Skylight, SFMOMA

Turret Skylight, SFMOMA. San Francisco, California. May 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Vertical format black and white photograph of light streaming through the upper reaches of the turret skylight above the atrium at the San Francisco Museum of Modern Art

This is a second photograph made during a recent visit to the San Francisco Museum of Modern Art, or SFMOMA, on the weekend before the place closed for two years of renovation and expansion work. Only days before did I realize that it was about to close and the extraordinary length of the closure, and I quickly adjusted my plans to get up there one more time. I wanted to wander the facility itself, but I especially wanted to see the excellent exhibit of the work of photographer Garry Winogrand.

This skylight is a dominant feature when the museum exterior is viewed from the west, where its tilted and round shape stands out from almost anything else nearby. Inside the building it creates a wonderful space full of light that somehow seems intimate, even though it is the highest point in a very large lobby atrium. The small diameter of the space and the walkway that splits it in two probably contribute to this effect. This photograph is a highly interpreted or stylized view of the subject, and is the result of a great deal of work in post-production – which almost seems somewhat ironic since the photograph was made handheld with a very small rangefinder style mirrorless digital camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turret Skylight, SFMOMA

Turret Skylight, SFMOMA
Turret Skylight, SFMOMA

Turret Skylight, SFMOMA. San Francisco, California. May 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Midday light inside beneath the skylight in the atrium of the San Francisco Museum of Modern Art

For the time being I’m not going to write all that I could write about this photograph – that would be far too much to post here. Nonetheless, this might be a slightly longer “photo post” than usual.

The subject is the skylight in the turret at the top of the atrium at the San Francisco Museum of Modern Art. Just below the skylight there is a catwalk that crosses from one side of the cylindrical upper area of the atrium to the other, and this is a place of magical light in almost any conditions. I visited this past Friday since the museum closes after today (June 2, 2013) for two years for renovation and expansion, and I wanted to have one last chance to wander around in the museum and I wanted to see the wonderful Garry Winogrand exhibit.

During the “wandering” part of my visit I went to this catwalk and thought about how I could photograph it. It is almost embarrassing to photograph in this spot, since it is one of the most obvious iconic places to grab an iPhone shot, and many other visitors were doing just that. I first made a few symmetrical photographs looking up at the skylight in a more direct way and then thought that I’d try a few “off kilter” shots, perhaps with the Winogrand images – which often tilt and twist in surprising ways – still in my mind. Having also just spent time in the museum’s wonderful exhibit of classic black and white work by other photographers, I was in a bit of a black and white state of mind, and I was pretty certain that this would end up as a monochrome image.

(For those who wonder about such things, this photograph was made with the small Fujifilm X-E1 camera and the wonderful Fujifilm XF 14mm f/2.8 lens.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.