A man in a hat inside an antique subway car, Manhattan
I had been hearing about the “nostalgia” train days in New York for some time, mostly from my sons, who now live there and who are big fans of the infrastructure (and more) of New York. This year the timing of our visit allowed us to go to the nostalgia event, a day when lots of the old trains are out and running on the subway lines, and open to riders who want to get a feeling for what the system was like in the past.
People seem to show up for all kinds of reasons. Some seem like your standard railroad fans. Others seem to come mostly for the history. A few other, somewhat like me perhaps, simply go because we heard that it was going on. But some folks do all sorts of fun and idiosyncratic things. In one car I ran into a crowd of photographers, many of whom were using really old and impressive film gear. Others dress up in period clothing. As I photographed this car I was taken by the image of this smiling man in a color accented bright white shirt. As I photographed, furtively at first, I could tell that he wanted me to photograph him and he encouraged me to make more than one photograph.
I’ve used the subway system in New York as much as any out-of-town visitor, enjoying the fact that I can get to so many places all over the city on the subway plus a little bit of walking. But I don’t give the system all that much thought beyond trying to get on the right time at the right time at the right place. But when you stop to think about what it is and what it does it is quite an amazing thing. Hidden away beneath the surface of the extraordinary busy city is an entire transportation system and only rarely comes to the surface, and then mostly as it leaves Manhattan or heads out into more distant areas.
On our recent visit to New York we managed to go visit the subway museum in Brooklyn. (Hard to avoid this, since it was literally walking distance from where we stayed this time.) The museum holds many things, but perhaps most intriguing is the collection of historic rolling stock, going way back to the beginning of the system. A visit got me to take the system a bit less for granted. We saw this car at the museum, but then again a few days later on one of the “nostalgia” train days, when the old trains run once again and subway fans turn out by the thousands. By framing this photograph so tightly and from a direct point if view, I hoped to “see” the train a bit more for what it is as a shape, and a bit of an odd one at that.
Welcome to this collection of some of my favorite photographs from 2014. I’ll get to the photos in a moment — yes, on this page! — but first a few stories, a shout out or two to fellow photographers and friends, and more…
This year I photographed a wide range of subjects from musicians to street photography to minimalist images to landscapes. It is always a challenge to select a few images from this variety of work, and invariably some photographs I love had to be left out. The group of photographs shown here was chosen because I like them, because they have been popular with others, and because they represent the diversity this year’s work. This year I think I can truthfully say that they range from the sublime to the ridiculous. (See if you can find the ridiculous one!)
Many wonderful places, subjects, and (especially) people were part of this year’s photography. Here is a partial accounting: The year began with photography of perhaps my favorite winter subject, the migratory birds and the often foggy landscape of California’s Central Valley — as always with friends David Hoffman, Charlotte Hoffman, Michael Frye, Claudia Welsh, and, of course, my wife Patricia Emerson Mitchell. Early in the year we traveled to Yosemite for a few days of shooting in conjunction with the opening of the annual Yosemite Renaissance exhibit, which again included some of my work — and in addition to the photography, it was great to see so many photographer/artist friends in the Valley. In the very early spring we had a good visit to Death Valley, one of my favorite and most frequent subjects — where we encountered snow and, for the first time in my life, I photographed wildflowers in a snowstorm! Among the summer highlights was a train trip across the US to spend a week photographing (and eating and much more) in New York City. Near the end of the summer I joined a group of good friends (Charlie Cramer, Keith Walklet, Mike Osborne, Scot Miller, Annette Bottaro-Walklet, Karl Kroeber and a supporting cast of mules and wranglers) for an extended back-country shoot in Yosemite. Fall took me back to the Sierra for nearly a week of aspen color chasing, and then I made my way back to Utah for fall color and visits to some beautiful out of the way places and ultimately to meet up with family. (Thanks to fellow photographers on that trip: David Hoffman, Guy Tal, Colleen Miniuk-Sperry, Michael Gordon, Charlie Cramer, Bruce Hucko — and to my cousin Barbara and her husband Russ and a few in-laws I met up with near the end of the trip in Zion.) My biggest photographic focus during the fall was the completion of my three-year project to photograph professional classical musicians — and I’m very grateful to the musicians, conductors, management, and staff of the San Jose Chamber Orchestra and Symphony Silicon Valley for their incredible cooperation.
A big “thank you!” to all of you who have followed my photographs here and on social media during the past year, and especially to fellow photographers (a few of whom appear in one of the photos!) that I’ve been fortunate to work with and count as friends. I’m grateful for your support! If this is your first visit to my site, consider bookmarking it, using the sidebar form to subscribe by email and/or…
(Click on any photograph below to switch to a larger scrolling view for best viewing. And I would love to hear what you think — which are your favorites in the group and so forth. Thanks!)
Dawn Light, Fog, Marsh and Tree
Purple Trillium
Point Sur
Pond, Fog, and Sky
Base of the Panamint Range
Desert Mountains, Rain
Backstage Before the Concert
Chinatown Street
The Selfie
Escalator and Stairs
Tropical Leaves
Ginko Leaves, Stones
Cottonwood, Red Rock Canyon
Roots and Rock
Potholes, Dusk
Cracked Mud, Canyon Light
Green and Yellow Aspens
Granite Slabs, Forest, and Lake
Forest Floor, Late Summer
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Feet, legs, carpet, and a bit of white wall at the museum
Yes. It is at the museum…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
