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Room 160, Metropolitan Museum of Art

Room 160, Metropolitan Museum of Art
Room 160, Metropolitan Museum of Art

Room 160, Metropolitan Museum of Art. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Visitors pass through Gallery 160, Metropolitan Museum of Art, New York

It was a cold and rainy day in New York. For the most part we were fairly lucky with the weather when we visited between Christmas and New Years, with mostly fair though cold weather. But we finally encountered a day on which it was not going to be pleasant to travel around a lot on the subway, so we decided to head to the Metropolitan Museum of Art. Apparently about half of the people in New York City had the same idea! Although we arrived reasonably early, there was already a large line of umbrella-carrying folks standing in line, and once inside we found crowds everywhere. We were obviously not the only people to seek shelter in indoor activities. (For the most part the crowds in New York City don’t bother me too much, but on our subway trip back to our hotel after the museum visit I encountered the worst jam-packed subway that I had run into… and realized that this is not a place where I’m ever likely to live. Visit? Yes, and with pleasure!)

We have visited several times before, so we are starting to be familiar with a few sections of this huge museum. We visited a wonderful exhibit of Julia Margaret Cameron photographs (and realized how much of photographic portraiture she already understood more than a century ago) and a small exhibit of photographs from the past 40 years (some of which I liked a lot and some of which leaves me cold). We also wandered a bit, and when we entered this room not far from the main lobby, I spotted a stairway and though that it would be interesting to photograph the room from above. I was intrigued by the lighting, the crowds of people walking in every direction, their shadows, and the large figure of the statue in the center of the room. (As I photographed, using a small mirrorless camera, a guard must have thought that I was shooting video – which is apparently forbidden – and he started yelling at me from the lower level! I finished my shots and moved on.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

2013 Favorite Photographs

“With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.” – Ansel Adams

I have compiled annual “favorites” collections for almost ten years. Each year I think this will just be an exercise in selecting photographs, and each year I rediscover that it is more than that – an opportunity to reflect on growth and new ways of looking at the world, a chance to think forward about what is yet to come, a time to recall a year of places and experiences and friendships.

It is a hard to distill a year’s work down to a few photographs, and I’m afraid that I can’t reduce the number to the extent that some can. This year I have – painfully! – gotten it down to 18 images, which is perhaps still too many. But it is 25% fewer than the 24 I shared last year! (Adams also said, “Twelve significant photographs in any one year is a good crop.” So feel free to regard up to a half dozen of these as being insignificant! ;-)

Many things affected my final selection. High on the list is how others – including many of you – responded to my photographs. I often say that the photographer is the person least able to objectively view and understand his/her own work, and I value the feedback and response that you share with me. On the other hand, I like to include some photographs that get less attention because I believe in them. I also include examples from my diverse range of subjects – people, wildlife, landscape, cityscape and street, night photography.

Speaking of a range of subjects, this was a year of interesting and diverse photographic adventures. Some were familiar – visits to Death Valley, the nearby Pacific Coast, the streets of San Francisco, familiar Sierra locations, and more. Others reflect more recent interests, such the migratory birds of California’s Great Central Valley. I spent more than a week camped in a remote Sierra Nevada location with photographer friends, becoming deeply familiar with the details of that particular landscape. I traveled to urban destinations: New York City, London, Germany, Austria. I continued work on my long-term project to photograph classical musicians.

But, enough introduction. In no particular order, though grouped according to subject, here are some of my favorite photographs of 2013. For those who want to know more, I have included links to the original posts of the images, where you may read more background – click the images themselves or the “original post” links.

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Coastal California

I am very fortunate to live relatively close to a huge range of photographic subjects. One of the closest and most impressive is the Pacific Ocean coastline of California, and it is near enough that I can head over there for a morning or an evening when the conditions seem promising.

Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013.

Evening light and fog along the Pacific coast north of Santa Cruz, California. (Original post)

Living less than an hour from the Pacific coastline south of San Francisco, I have the good fortune of being able to shoot there often, and I have come to know some sections of this coastline very well. On this summer evening I was cruising up the coast looking for subjects when I passed this familiar location, one that I had passed many times without stopping due to the scarcity of places to pull over on this narrow highway. The hazy fog, the warm evening light, and the curving surf line got my attention and this time I stopped, put a long lens on the camera, and made this exposure while standing far too close to the passing traffic.

Continue reading 2013 Favorite Photographs

Break Time, Savoy Hill

Break Time, Savoy Hill
Break Time, Savoy Hill

Break Time, Savoy Hill. London, England. July 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Hotel workers taking a cigarette break in the alley, Savoy Hill, City of Westminster, London

Very near this little alley is a large and famous hotel. We come up to this spot from the back way, so we did not see the typical hustle and bustle of the hotel entrance, instead just looking up a very nearly deserted side street to see a few employees on break, apparently having a smoke, We walked into this area and discovered a beautiful church hidden away on a corner to the right and out of the frame. After stopping to visit there, we continued our wandering and soon crossed in front of the hotel where these folks apparently work.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turret Skylight, SFMOMA

Turret Skylight, SFMOMA
Turret Skylight, SFMOMA

Turret Skylight, SFMOMA. San Francisco, California. May 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Vertical format black and white photograph of light streaming through the upper reaches of the turret skylight above the atrium at the San Francisco Museum of Modern Art

This is a second photograph made during a recent visit to the San Francisco Museum of Modern Art, or SFMOMA, on the weekend before the place closed for two years of renovation and expansion work. Only days before did I realize that it was about to close and the extraordinary length of the closure, and I quickly adjusted my plans to get up there one more time. I wanted to wander the facility itself, but I especially wanted to see the excellent exhibit of the work of photographer Garry Winogrand.

This skylight is a dominant feature when the museum exterior is viewed from the west, where its tilted and round shape stands out from almost anything else nearby. Inside the building it creates a wonderful space full of light that somehow seems intimate, even though it is the highest point in a very large lobby atrium. The small diameter of the space and the walkway that splits it in two probably contribute to this effect. This photograph is a highly interpreted or stylized view of the subject, and is the result of a great deal of work in post-production – which almost seems somewhat ironic since the photograph was made handheld with a very small rangefinder style mirrorless digital camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.