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Railing, Stairs, and Window – Museum of Modern Art

Railing, Stairs, and Window - Museum of Modern Art
Railing, Stairs, and Window - Museum of Modern Art

Railing, Stairs, and Window – Museum of Modern Art. New York, New York. August 21, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Edge of an upper landing with a railing, stairs, and windows at the Museum of Modern Art, New York City.

I think I have visited, at least briefly, the Museum of Modern Art every time I have been in New York City. (As a “west coaster” that isn’t all that often, but still…) My secret is that photographing inside and around the museum is, for me, almost as interesting as viewing the exhibits. There is a ton of interesting subject material to work with: the people, the interior (and to a lesser extent, exterior) architecture of the place, details that can be found by looking around a bit, the surrounding neighborhoods, and juxtapositions of any and all of these things.

We visited a wonderful show of photography when we were there this year, and at the end of a hallway outside the entrance to this show I saw this translucent wall of windows with a glow enhanced by, if I recall correctly, some cloudiness outside. Shooting quickly with the 50mm prime that was on my camera, I first grabbed some shots mostly of these windows. Then I tried a few that focused more on the stairway seen here at lower right. Finally, I narrowed it down to just this bit of curving railing and floor, throwing the rest of the scene out of focus by shooting at the largest aperture.

G Dan Mitchell Photography
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Detail, EMP Museum, Seattle

Detail, EMP Museum, Seattle
Detail, EMP Museum, Seattle

Detail, EMP Museum. Seattle, Washington. July 30, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

Distorted and colorful reflections on the metal surface of the Frank Gehry-designed EMP Museum in Seattle, Washington.

I made this photograph, and a series of them of this subject, during a visit to Seattle back in 2006. After seeing the exhibits at the EMP Museum, I spent some time wandering around the Frank Gehry designed building and looking for photographs.

Seattle seems like a great place to photograph architecture – you are almost guaranteed soft light! Here I had a mostly cloudy sky with a few spots of blue sky, so the basic light was very nice. In addition, the building itself is, in places, one giant fun house mirror. In this shot the reflective panels are picking up their own coloration, some clouds and blue sky, and some extremely distorted reflections of nearby carnival rides – and all of that stuff is set off against the sky blue curving shapes projecting from the building at the upper right. Some of the colors reflected in the wall panels are so colorful as to almost be over-saturated, and with the strange distortions they create the effect seems almost hallucinogenic! Is there any color that cannot be found somewhere on that wall?

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Brief Thoughts on The Life of a Photograph

The image I posted earlier today both here at the blog and on Google+ got me thinking about the various ways that a photograph can “come to life.” This particular image followed a path that several other images that I consider to be among my best followed – namely, it languished in my raw file archive for nearly a year before I rediscovered it recently while going back through the old files. I recognized this pattern some time ago, and I now make it a habit to revisit all of my (thousands and thousands of) raw files about a year after I shoot them.

Why didn’t I “see” this image when I first reviewed raw files right after the shoot? I’m not entirely certain, but several ideas come to mind. Sometimes at the time of the shoot I have a strongly fixed notion of how I want to portray the subject , and as I shoot I’m already categorizing exposures by how well they correspond to this preconception. So when I initially go through the raws I may be mostly looking for what fits my expectations as opposed to looking objectively at what works on its own merits. Coming back a year later allows me to better see the image for what it is, without having my judgment so affected by prior expectations.

Related to this is the sheer number of images and how one deals with them in the post-processing workflow. I may begin with what I think are the most promising couple of images from a shoot and then take them all the way to a print-ready (or actually printed) stage. Once I’ve done that with the first selects from a given subject, I’m more likely to move on to other subjects – and potentially leave other good images in the dust.

There is a lot more to say about this, I think, but I’ll save the longer explication for another blog post in the future. Does anyone else make a practice of doing a full review of raw files at some future date?

Man Talking on Cell Phone

Man Talking on Cell Phone
Man Talking on Cell Phone

Man Talking on Cell Phone. San Francisco, California. July 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

Man sitting on a bench in front of a San Francisco building and talking on his cell phone.

The first time I worked on this photograph, I made a decision to work it up as a black and white image. However, when I returned to it a month or so ago, I felt like it might be interesting as a color photograph as well.

There is nothing all that special about the location itself – it is on a small street in an area that might be thought of as along the edges of downtown San Francisco. It is not too far to typical large downtown buildings, but here it seems that many might residences and rental units, and many on this street are connected with the Academy of Arts College (or is it “university” now?) facilities that are spread all around the city. I’m intrigued by the interesting shapes and colors and textures of these San Francisco buildings, that often embody some strange combination of a great deal of order (carefully painted rectangular white window frames), utility (the fire escape being almost the most prominent thing on the front of the building), and little oddities (the benches on a slanting sidewalk and guy talking obliviously on his cell phone).

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.