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Three People, Gallery, Elevator Door

Three People, Gallery, Elevator Door
Three people in an art gallery with a freight elevator door

Three People, Gallery, Elevator Door. San Francisco Museum of Modern Art. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Three people in an art gallery with a freight elevator door

I suppose that if you are camera-shy and you see me in a museum that you may want to run for cover. (Or just wait for me to become interested in the exhibits — I’m notorious for taking forever to work my way though museums. Family members have been known to just give up and go find a restaurant to wait for me to finally finish!) In any case, I like to photograph in museums, for the interesting architectural details and light and for the opportunity to watch people doing interesting things and assembling themselves into various compositions.

We were at the San Francisco Museum of Modern Art (SFMoMA) where we had seen a lot of very interesting stuff. (My favorite was the installation on the top floor by William Kentridge, “The Refusal of Time. I walked into it prepared to be unimpressed, but ended up being very moved by it.) Along the edge of a gallery on a lower floor there was a giant freight elevator door taking up almost all of one wall. One thing about museums is that almost anything seen in such a place has the potential to take on meanings beyond the ordinary, and for some reason this door caught my attention. I did as I often do with such subjects — I waited for people to populate this “intimate urban landscape” so that I could make a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Detail, Atrium

Detail, Atrium
Architectural details of atrium of the San Francisco Museum of Modern Art

Detail, Atrium. San Francisco, California. January 3, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Architectural details of atrium of the San Francisco Museum of Modern Art

When I visit museums I often photograph them. I don’t usually photograph the displays, but I do photograph the architecture, people, and sometimes the structural abstractions I can locate. The San Francisco Museum of Modern Art is a favorite museum — for its collection, its temporary installations (Right now go see William Kentridge’s “The Refusal of Time!”)

The museum was recently remodeled and expanded, with a new wing added to the original structure. The original centerpiece of the interior architecture was the atrium, a tall central open space topped by a “turret gallery” with a catwalk. The atrium remains following the remodel, and the light in this space is often spectacular, ranging from shade to bright sunshine. During this visit the light was softened by rainy conditions outside, and the colors ranged from the warmth of electrical lighting to the cool blues of the cloud-muted light coming in through the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

2016 Favorite Photographs

The task of selecting a small set of annual favorites is both a joy and a chore. It is a joy to traverse the year in photographs, recalling the circumstances of the creation of each photograph. This years photographic opportunities ranged across a spectrum. Photograph of the natural world included work from the Sierra, Death Valley, the Pacific Coast, and migratory bird habitats in California and Oregon. Photography of the human world included night photography done on both coast of the United States plus extensive travel in the UK, Paris, Germany, Italy, and a few other spots.

I started with nearly 40 photographs — way too many for a favorites list. With the help of social media friends who viewed photographs, rated,  and commented on photographs, I cut the set to about half that number. After a final round of comment and critique, I (brutally, it feels) cut the set to only ten photographs, with half from the human world and half from the natural world.

The diversity of my photography poses a challenge.

Continue reading 2016 Favorite Photographs

Man Inside Subway Car

Man Inside Subway Car
A man in a hat inside an antique subway car, Manhattan

Man Inside Subway Car. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man in a hat inside an antique subway car, Manhattan

I had been hearing about the “nostalgia” train days in New York for some time, mostly from my sons, who now live there and who are big fans of the infrastructure (and more) of New York. This year the timing of our visit allowed us to go to the nostalgia event, a day when lots of the old trains are out and running on the subway lines, and open to riders who want to get a feeling for what the system was like in the past.

People seem to show up for all kinds of reasons. Some seem like your standard railroad fans. Others seem to come mostly for the history. A few other, somewhat like me perhaps, simply go because we heard that it was going on. But some folks do all sorts of fun and idiosyncratic things. In one car I ran into a crowd of photographers, many of whom were using really old and impressive film gear. Others dress up in period clothing. As I photographed this car I was taken by the image of this smiling man in a color accented bright white shirt. As I photographed, furtively at first, I could tell that he wanted me to photograph him and he encouraged me to make more than one photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.