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Wild Horses

Wild Horses
A herd of feral horses in high desert hill country east of the Sierra Nevada

Wild Horses. © Copyright 2016 G Dan Mitchell – all rights reserved.

A herd of feral horses in high desert hill country east of the Sierra Nevada.

Those of us whose orientation to the Sierra Nevada and points east comes mainly from visits as outsiders can overlook aspects of the culture and history of the area that we weren’t looking for. As someone who came to these mountains, starting many decades ago, as a camper and backpacker (and, at times skier, climber, and photographer) my orientation held that the range was mainly a place about wilderness. It is that, in many ways, but that’s not all it is. Over time I learned and accepted that there are other threads: prospecting and mining, fishing (I tried, but little luck!), ranching, and more.

This herd of feral horses is probably a remnant of some of those “other” threads. Over decades a number of horses managed to get free, and they also managed to survive rather well in some of the areas east of the Sierra. (I first saw them decades ago way out in Nevada.) I ran into this herd on an exploration into less-visited areas roughly east of Yosemite a few years back. I had rumors, but wasn’t necessarily expecting to see them — but was thrilled when I came over a low saddle and spotted them up ahead. (It might seem surprising to some that I’ve put this photograph in the “wildlife” category, but these horses are no longer domesticated critters.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Hockney Observed

Hockney Observed
Two museum visitors observe a David Hockney Painting

Hockney Observed. New York City. December 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two museum visitors observe a David Hockney Painting

We have been in New York City during the past week or so, on one of our frequent trips to visit sons and daughters-in-law there… and of course to also simply be in New York. (And, did I also mention “eat in New York?”) It has been cold — something like 10-15 degrees below normal during our visit — and among the practical cold weather activities here are museum visits. We already knew we wanted to see this David Hockney exhibit — we had seen the big Hockney exhibit in San Francisco a few years ago, and we just saw a SF Opera production of “Turandot” that used a Hockney-designed set.

So we joined the throngs on a very cold day at the Metropolitan Museum and went inside to see this exhibit. (Having not done our research ahead of time, we were unaware of the Michelangelo show also taking place, but we managed to visit that, too.) The exhibit was, not surprisingly, very popular and crowded, with a variety of work from across Hockney’s career — lots of the usual stuff, including two of his Grand Canyon landscape paintings. I made this photograph as two people stopped to view one of them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flag Makers

Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Interior, SFMoMA

Interior, SFMoMA
Interior photograph of San Francisco Museum of Modern Art

Interior, SFMoMA. San Francisco Museum of Modern Art, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Interior photograph of San Francisco Museum of Modern Art

In the wake of the major expansion and remodel of the San Francisco Museum of Modern Art (SFMoMA), the feeling of the place has changed. Overall I think that the changes are almost universally for the better, and it seems to me that the new space in the tall and narrow “addition” to the rear of the original building works quite well. (I have a few quibbles — including some back galleries that include audio in their exhibits but are not acoustically isolated sufficiently.) The feeling is mostly open and bright, which I think works well for modern art.

The feeling of the original front portion of the building is somewhat as it was, but it has changed, too. The ground level was originally designed to function as a main entrance and assembly space, but now much of that has been moved further back into the new building. The central atrium is still there, with stairs winding around its space, and lit from above by the light coming through the “oculus” at the top that faces to the west. I’m always intrigued by the shapes and colors and light in this space and the way that geometrical forms warp along its curved surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.