A couple sitting on a bench outside the San Francisco Museum of Modern Art
A couple of years ago, the San Francisco Museum of Modern Art (SFMOMA) closed for work on a major expansion and remodeling project. We have been members for some time, and I recall squeezing in one last visit before the long closure — viewing favorite works and making photographs inside the place. The big news is that the remodel is virtually finished now, and the museum officially reopens very soon, on May 14. But an opening like this doesn’t take place all at once. There is a sort of run-up to the actual event that brings people into the new facility over a period of time. As members, it was our turn (along with thousands of others) to get a preview this week.
I may have more to say about the museum in the future, but for now I’ll just say that I like it a lot — both the work exhibited (not that we saw all of it in one day!) and the building itself. There are a number of wonderful touches — many visual connections to the surrounding city (where the previous facility felt more walled off from San Francisco), lots of light, a brilliant system of stairways and spaces along the eastern side, and more. Oddly, almost none of that is in this first photograph I made at the new SFMOMA, which depicts an almost deserted new entrance and seems to show more of the surrounding city environment than the museum itself. More to come eventually…
The 31st annual Yosemite Renaissance Exhibit opens this weekend in Yosemite Valley. Come on by if you are in the park! The free opening Artists Reception is on Friday, February 26 at 5:30-7:30pm in the Visitor Center Gallery. The show then runs from Saturday, February 27 though May 1.
Yosemite Renaissance features artists who work in and around Yosemite and the Sierra. It includes a range of media — photographs, painting, ceramics, sculpture, and more.
I’m honored that one of my photographs was again included in the exhibit — for the fourth year in a row. This time it is a photograph I made at Devil’s Postpile National Monument last year: “Basalt Columns, Lichen, Autumn Plants”
Today I am reprising a photograph that I shared previously since it is part of the Yosemite Renaissance XXIX exhibit opening this weekend in the Yosemite Museum Gallery in The Valley.
An exhibition of contemporary art of Yosemite and the Sierra Saturday, March 1 to Sunday, May 11, 2014
Yosemite Museum Gallery, Yosemite National Park
The first event of the show is tonight…
The public is invited to the Awards Reception, Friday, February 28 from 5:30 to 7:30 PM
Perhaps I’ll see you there!
Now, to the text of the original post, plus a more recent addition…
The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake
A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.
With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.
Addendum: It occurred to me last week that there is a (perhaps tenuous?) connection between this photograph – with its theme of a vertical rock face above placid water – and this one by Ansel Adams that I had an early connection to: http://www.christies.com/lotfinder/photographs/ansel-adams-lake-precipice-frozen-lake-and-5056399-details.aspx – I have a personal connection to the place, which I wrote about here: https://gdanmitchell.com/2010/01/14/a-photograph-exposed-submerged-boulders-precipice-lake
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Happy birthday to the San Francisco Bay Area’s iconic Golden Gate Bridge!
Panorama of the Golden Gate Bridge, San Francisco, the Bay Bridge, and the San Francisco Bay in dramatic morning light.
Photographed from near the north end of the bridge, the sweep of the cables leading to the top of the north tower frames a panorama from Alcatraz Island at the far left, past beams of morning sun on the east end of the Bay Bridge, across the skyline of downtown San Francisco, with the Bay in the foreground.
Having lived and photographed in the San Francisco Bay Area for decades, the Golden Gate Bridge has been a central part of my experience of the area. I frequently photograph in San Francisco and across the bridge to the north, and even when the bridge itself is not my primary intended subject I almost always look in its direction to see what it will offer up as a new photographic opportunity. I have been fortunate to be close enough to see the bridge in an incredible range of conditions – at night, in winter storms, at sunrise, and more.
Since the 75th Anniversary of the opening of the bridge is being celebrated today, it seems like a good time to collect a few of my favorite Golden Gate Bridge photographs that feature, include, or are part of the experience of this icon. In keeping with the retrospective theme of such a birthday, I’ve chosen mostly black and white photographs. But first, a panorama…
Golden Gate Bridge Tower, Transamerica Building, San Francisco Skyline
Among the most famous views of the bridge are those looking back across the Golden Gate (which, technically, refers to the mouth of the bay) past the bridge toward the skyline of San Francisco.
Black and white night photograph of the north tower of the Golden Gate Bridge, San Francisco, California.
The bridge and the city take on a completely different appearance at night. This photograph was made from the hills near the north end of the bridge, looking back through it towards San Francisco.
Freighter departing San Francisco Bay on a foggy morning is seen through the cables of the Golden Gate Bridge with the San Francisco skyline in the background. Black and white photograph. September 18, 2007.
I am especially fond of the very early morning views of the bridge and the bay, and I often stop here on my way to photograph other locations. While one can certainly end up completely socked in by fog here, at other times the range of effects of atmosphere and light is extraordinary. Here several ships pass under the bridge on a morning when the fog is just beginning to clear east of The City.
Golden Gate and Bay Bridges, Morning Haze - Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.
Seen from high in the Marin Headlands, the silhouette of the north tower of the bridge bisects the western span of the San Francisco-Oakland Bay Bridge on a morning when low haze blanketed the Bay Area.
Clearing Fog, North Tower of the Golden Gate Bridge - Morning fog clears from the North Tower of the Golden Gate Bridge, San Francisco, California.
Classic Golden Gate Bridge fog passes fills the entrance to the Bay and rises up over the hills of the Marin Headlands, with the skyline of The City visible on the horizon.
Golden Gate Bridge and San Francisco Bay, Morning Haze
The Oakland area and the eastern section of the San Francisco-Oakland Bay Bridge – both the old version and the new one under construction – seem over one of the towers of the Golden Gate Bridge.
Morning traffic crosses the Golden Gate Bridge approaching the south tower with haze-shrouded San Francisco hills and Sutro Tower beyond.
Looking south across the bridge toward the even taller structure of the Sutro Tower.
North Tower of the Golden Gate Bridge, San Francisco Bay, Morning
The silhouette of a large outgoing freighter passes beneath the San Francisco-Oakland Bay Bridge in the distance beyond the north tower of the Golden Gate Bridge.
San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.
Alcatraz Island and the Bay, lit by golden early morning light.
Photograph of the night skyline of San Francisco shot through the cables of the Golden Gate Bridge. Holiday lighting on downtown buildings.
I’ll include one real night photograph of the bridge, though I’ll be sneaky about it and not show the whole bridge. (There are plenty of those photographs floating around and, yes, I have those, too!) Here I shot through the cables with a very long lens on a late autumn night when the holiday lights had been put up on the downtown San Francisco buildings – Look at the far left to see the Transamerica Building and the Embarcadero Center lights.
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
I joined thousands of fellow Bay Area citizens to rise well before dawn and photograph this full lunar eclipse just before sunrise.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
