Tag Archives: opening

Late Afternoon, Tenaya Lake

Late Afternoon, Tenaya Lake
Late Afternoon, Tenaya Lake

Late Afternoon, Tenaya Lake. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Ice covers the surface of Tenaya Lake on the day of the mid-June opening of Tioga Pass Road as afternoon clouds cluster around the summit of Mount Conness, Yosemite National Park.

After the wild sunset-illuminated versions of this scene that I’ve posted recently, I thought it might be a relief to post something more subtle! This photograph was also made on the evening of June 18, the day that Tioga Pass Road opened for the 2011 season. A bit earlier I had photographed along the shoreline of Tenaya Lake – the ice-covered area in the lower portion of this image – where I had juxtaposed melting ice, deep blue water, and interesting clouds. When I finished there I had a decision to make – whether to head back up toward the pass, continue to photograph around the lake, or try to get a shot of Mount Conness from Olmsted Point. Since I had been in contact with a client concerning Mount Conness photographs just a few days earlier, I decided to try that third choice.

When I arrived at Olmsted, conditions were a bit unpromising. Clouds had come up over the Sierra crest and Conness was completely obscured. In addition, a certain type of gloomy haze and cloudiness was taking much of the energy out of the scene. Clouds to the west were washing out the light, too. Many times I don’t give up immediately in situations like this, at least not until I’ve spent a bit of time trying to get a sense of where things might be headed. (Ultimately on this evening that turned out to be a good decision, as near sunset one of the most intense displays of Sierra evening color occurred… but that it a story I’ve already told in earlier posts.) As I watched, the clouds around Conness began to move a bit and every so often a bit of the tip of the mountain would poke through. During one of these moments, a bit of light filtered through the high clouds from the west and glanced across the slopes of Polly Dome and struck the upper reaches of Medlicott Dome.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point
Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Trees growing on granite silhouetted against a colorful sunset sky at Olmsted Point, Yosemite National Park.

This astonishing, magical light occurred just at and right after sunset on the evening of June 18, the day that Tioga Pass finally opened for the 2011 summer season. I earlier posted a vertical format photograph of much the same scene, though with slightly different light – the other photograph was made about a minute after this one and the conditions were changing very rapidly.

The photograph was made from the popular Olmsted Point overlook along the Tioga Pass Road (highway 120), with its well-known view of subalpine Tenaya Lake. Since I have recounted the story of this light in some detail in an earlier post, I’ll keep this description somewhat short, but here is the genera outline. Earlier in the evening I had come here to try to photograph Mount Conness with a long lens. Initially the light was very unpromising, but I observed some things that suggested the possibility of sunset light so I stuck around. Just before sunset, as the sun dropped near the horizon to the west, the light came from below to illuminate the thin, high clouds and produce an amazing color show.

To make the series of photographs of these trees I simply pivoted my tripod around from the direction it had been pointing, towards Mount Conness. The trees are somewhat sparse here since the granite domes and slabs cannot support many of them. The speed of light and color transition was remarkable. At one or more points, as the clouds picked up the sunset glow, the brightness of the light suddenly increased noticeably. The brightest color moved across the sky from east to west, and here the color was just beginning to diminish ever so slightly overhead as it continues to intensify to the west and closer to the horizon.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

24th and Folsom, The Mission

24th and Folsom, The Mission
24th and Folsom, The Mission

24th and Folsom, The Mission. San Francisco, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

The corner of 24th and Folsom Streets in the Mission District, San Francisco, California.

This was an afternoon of really interesting light in the Mission District of San Francisco. Although it was mostly cloudy and often gray, at times the clouds thinned and warm, diffused light appeared for a moment or two. One such moment came as I arrived at the corner of 24th and Folsom where this garishly yellow building sat on the corner opposite me and picked up light coming between the buildings.

Anyone who goes to the Mission probably immediately notices that something is “wrong” with this photograph. Where are all of the people and all of the cars!? I saw this composition and set it up – but at first the street was filled with people and cars speeding through the intersection. In fact, during the instant before and after I grabbed this frame there were fast-moving cars in the intersection. (For those who haven’t visited the Mission and who think that this peaceful scene is typical of the area, uh, no. The Mission is a very busy and active place that is usually filled with people.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 35mm f/2.0
ISO 200, f/8, 1/320 second

keywords: the, mission, san francisco, california, usa, north america, street, urban, city, 24th, folsom, street, intersection, asphalt, crosswalk, yellow, building, home, sidewalk, tree, light, sky, woman, walking, cross, check, cashing, grand, opening, purple haze, smokeshop, pedestrian, window, urban, downtown, travel, stock

Shelter From the Rain, Getty Center

Shelter From the Rain, Getty Center
Shelter From the Rain, Getty Center

Shelter From the Rain, Getty Center. Los Angeles, California. December 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of four people sheltering from winter rain at the edge of a covered overlook at the Getty Center, Los Angeles, California.

I’ll confess to being a complete sucker for photographing at the Getty – I really love the place. The art is, of course, wonderful, and I especially enjoy the really fine photographic exhibits found there. In the recent past I saw both the Irving Penn and Edward Weston shows. But I’ve admitted more than once that the place itself is what intrigues me the most. The light is amazing and quite variable – I’ve been there on winter days when the ocean was visible and almost too bright to look at, and on rainy days when fog drifted among the buildings and through the gardens. The architecture is a great subject, but so are the people.

I was there most recently at the end of December, when we stopped on our way back from Southern California for an afternoon. My photographic interests are such that I was almost overjoyed when I saw that it would be rainy at the Getty and even happier when I found fog along the ridge top location. I posted some photographs from this visit earlier this year, and this one begins another short sequence of Getty Center images.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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